Artist Hyperion Records
Suart, Richard (baritone)

Richard Suart (baritone)

Richard Suart was born in Lancashire and studied at St John's College, Cambridge and at the Royal Academy of Music in London. He began his operatic career with the English Music Theatre Company and Opera Factory and is now much sought after, particularly in music theatre, contemporary opera and, of course, as a comedian in the more standard repertoire. Recent appearances in Britain include his celebrated Ko-Ko in The Mikado, Frank in Die Fledermaus and Benoit/Alcindoro in La Bohème for English National Opera. For Opera North he created the role of the team manager Stan Stock in Benedict Mason's Playing Away (also performed in Munich and Rotterdam), at Garsington, Don Magnifico in La Cenerentola and, as his debuts for both Welsh National Opera and the Royal Opera House, Jack Point in The Yeoman of the Guard. He sang in the British premières of Shostakovich's Cheryomushki and Param Vir's Snatched by the Gods and Broken Strings at the Almeida Festival. In recent seasons he sang in La Vie Parisienne with D'Oyle-Carte, Strauss's The Donkey Shadow with Sir Peter Ustinov and recorded Nicholas Maw's The Rising of the Moon and Holst's The Perfect Fool for the BBC.

Productions abroad have included Donizetti's L'Ajo Nell'Imbarazzo in Batignano, Peter Maxwell Davies's Eight Songs for a Mad King in Gelsenkirchen, Milan, Helsinki, Strasbourg, Stavanger and Paris. Richard Suart sang Mason's Chaplin operas with the Ensemble Modern in Germany, Portugal, Holland and Austria and gave the world première performances of Snatched by the Gods and Broken Strings for the Netherlands Opera in Amsterdam and Munich. He sang Schoenberg's Ode to Napoleon with the Ensemble Intercontemporain at the Châtelet Music Théâtre, Paris and made his Malaysian debut as Ko-Ko. He sang Ko-Ko for Vancouver Opera and he made his Salzburg Festival debut in Ligeti's Le Grand Macabre.

Richard Suart also finds time to present a highly successful one-man show titled As a Matter of Patter, an evening of predominantly Gilbert and Sullivan songs, dialogue and anecdotes, which he has performed with his wife throughout the UK, in Ireland, the Middle East and South Africa. He made his Proms debut as the Duke of Plaza-Toro in The Gondoliers (also televised) and is recently sang The Lord Chancellor in Iolanthe for D'Oyle Carte. Other recent appearances include The Mikado at ENO, Le Grande Macabre with Peter Sellars at Le Châtelet in Paris, Reigen Der Gatte in Holland and Of Thee I Sing at Opera North.

Musichall, Vicarage Way, Ringmer, East Sussex BN8 5LA; email


Fraser-Simson: The Maid of the Mountains
CDH55246Helios (Hyperion's budget label)
Jones: The Geisha
CDH55245Helios (Hyperion's budget label)
Monckton: Songs from the shows
CDA67654Archive Service
Sullivan: The Contrabandista & The Foresters
The Playful Pachyderm
Studio Master: CDA67453Studio Master FLAC & ALAC downloads available

Alphabetical listing of all musical works

A bad boy and a good girl  
A Country Girl (Monckton)
All down Piccadilly  
Beautiful bountiful Bertie  
Beyond the bar of fair Manaar  
Charming weather  
I went to sea as bold as A B  
I'm what folks call a 'Johnnie', of the title I'm proud  
In my happy childhood hours  
Johnnie came from London town  
Keep off the grass  
Liza Ann  
My cinnamon tree  
Oh, when I marry my blushing bride  
Once in the window of a ham and beef shop  
Over the mountain passes  
Pearl of sweet Ceylon  
The Arcadians (Monckton)
The Bassoon 'Humorous Song' (Ashlyn/Perkins)
The Cingalee (Monckton)
The Contrabandista, or The Law of the Ladrones (Sullivan)
The Geisha (Jones)
The Girls of Gottenberg (Monckton)
The Maid of the Mountains (Fraser-Simson)
The Orchid (Monckton)
The Quaker Girl (Monckton)
The Shop Girl (Monckton)
The Toreador (Monckton)
There's a Yorkshire town, very bleak and brown  
Try again, Johnnie  
Two little sausages  
Under the deodar  
When a bad, bad boy like me  
When I marry Amelia  
When the children go to play  
Yo ho, little girls, yo ho!  
You're taking such good care of me  
You've heard of me, of course