Hyperion Records

Artist Hyperion Records
Hill, Martyn (tenor)
© Christina Burton

Martyn Hill (tenor)

Martyn Hill has established a reputation as one of Britain's leading tenors and his career has taken him to many parts of the world, working with such conductors as Ashkenazy, Atherton, Hickox, Marriner, Menuhin, Muti, Ozawa, Previn, Sanderling and Sawallisch.

His repertoire in recital, concert and opera is large, ranging from the Baroque to contemporary music. Operatic roles have included Idomeneo, Belmonte (Die Entführung aus dem Serail), Ferrando (Così fan tutte), Flamand (Capriccio) and Tom Rakewell (The Rake's Progress), while concert performances have included Berlioz' Grande Messe des Morts, Bruckner's Te Deum, Tippett's A Child of our Time, Britten's War Requiem, Serenade, Spring Symphony and Nocturne, and Beethoven's Ninth Symphony and Missa Solemnis. Martyn Hill has made some ninety recordings including a Schubert recital with Graham Johnson as part of Hyperion's ten-year project to record all the composer's songs, and a CD of Tippett's songs to mark the composer's ninetieth birthday.

Owen/White Management, Top Floor, 59 Lansdowne Place Hove, East Sussex BN3 1FL

Tel: +44 1273 727127 Fax: +44 1273 328128 email info@owenwhitemanagement.com

Albums
'Bliss: Pastoral 'Lie strewn the white flocks'; Britten: Choral dances from Gloriana; Holst: Choral Hymns from the Rig Veda' (CDH55050)
Bliss: Pastoral 'Lie strewn the white flocks'; Britten: Choral dances from Gloriana; Holst: Choral Hymns from the Rig Veda
Buy by post £5.50 CDH55050  Helios (Hyperion's budget label)  
'Boulanger: Clairières dans le ciel & other works' (CDH55153)
Boulanger: Clairières dans le ciel & other works
Buy by post £5.50 CDH55153  Helios (Hyperion's budget label)  
'Britten: Choral dances from Gloriana; Bliss: Pastoral 'Lie strewn the white flocks'; Holst: Choral Hymns from the Rig Veda' (CDH55050)
Britten: Choral dances from Gloriana; Bliss: Pastoral 'Lie strewn the white flocks'; Holst: Choral Hymns from the Rig Veda
Buy by post £5.50 CDH55050  Helios (Hyperion's budget label)  
'Finzi: Earth and air and rain' (CDD22070)
Finzi: Earth and air and rain
Buy by post £10.50 CDD22070  2CDs Dyad (2 for the price of 1)  
'Hahn: Chansons grises & other songs' (CDH55040)
Hahn: Chansons grises & other songs
Buy by post £5.50 CDH55040  Helios (Hyperion's budget label)  
'Holst: Choral Hymns from the Rig Veda; Britten: Choral dances from Gloriana; Bliss: Pastoral 'Lie strewn the white flocks'' (CDH55050)
Holst: Choral Hymns from the Rig Veda; Britten: Choral dances from Gloriana; Bliss: Pastoral 'Lie strewn the white flocks'
Buy by post £5.50 CDH55050  Helios (Hyperion's budget label)  
'Schubert: The Complete Songs' (CDS44201/40)
Schubert: The Complete Songs
Buy by post £150.00 CDS44201/40  40CDs Boxed set + book (at a special price)  
'Schubert: The Hyperion Schubert Edition, Vol. 10 – Martyn Hill' (CDJ33010)
Schubert: The Hyperion Schubert Edition, Vol. 10 – Martyn Hill
Buy by post £10.50 CDJ33010 
'Schubert: The Hyperion Schubert Edition, Vol. 34' (CDJ33034)
Schubert: The Hyperion Schubert Edition, Vol. 34
Buy by post £13.99 (ARCHIVE SERVICE) CDJ33034  Archive Service; also available on CDS44201/40  
'Tippett: Songs' (CDA66749)
Tippett: Songs
Buy by post £10.50 CDA66749 
'Vaughan Williams: Choral Works' (CDS44321/4)
Vaughan Williams: Choral Works
Buy by post £22.00 CDS44321/4  4CDs Boxed set (at a special price)  
'Vaughan Williams: Serenade to Music, Flos Campi, Mystical Songs' (CDA30025)
Vaughan Williams: Serenade to Music, Flos Campi, Mystical Songs
Buy by post £8.50 CDA30025  Hyperion 30th Anniversary series  
'Vaughan Williams: Serenade to Music, Flos Campi, Mystical Songs' (CDA66420)
Vaughan Williams: Serenade to Music, Flos Campi, Mystical Songs
Buy by post £10.50 CDA66420 
'War's Embers' (CDD22026)
War's Embers
Buy by post £27.98 (ARCHIVE SERVICE) CDD22026  2CDs Dyad (2 for the price of 1) — Archive Service  
'War's Embers' (CDH55237)
War's Embers
Buy by post £5.50 CDH55237  Helios (Hyperion's budget label)  
'A Treasury of English Song' (HYP30)
A Treasury of English Song
HYP30  Super-budget price sampler — Deleted  
'Schubert: An introduction to The Hyperion Schubert Edition' (HYP200)
Schubert: An introduction to The Hyperion Schubert Edition
HYP200  Super-budget price sampler — Deleted  
Alphabetical listing of all musical works
À Chloris (Hahn)
A Young Man's Exhortation, Op 14 (Finzi)
Abend, D645 (Schubert/Brown)
Across the plain  No 2 of Songs for Achilles (Tippett)
Adelwold und Emma, D211 (Schubert)
Ah! Thetis, mother, goddess, why come from the sea?  First line to By the sea, No 3 of Songs for Achilles (Tippett)
Am Flusse, D160 (Schubert)
An die Apfelbäume, wo ich Julien erblickte, D197 (Schubert)
An die Geliebte, D303 (Schubert)
An Epithalamium (Wedding Song)  Act 5 of The Fairy Queen, Z629 (Purcell/Tippett/Bergmann)
An Mignon, D161 Second version (Schubert)
Arabia (Browne)
At a lunar eclipse  No 6 of Till Earth outwears, Op 19a (Finzi)
Au pied de mon lit  No 5 of Clairières dans le ciel (Boulanger)
Auf den Tod einer Nachtigall, D201 (Schubert)
Auf einen Kirchhof, D151 (Schubert)
Beglückt, beglückt  First line to Der Liebende, D207 (Schubert)
Beneath a knap where flown  First line to Ditty, Group 1 No 2 of A Young Man's Exhortation, Op 14 (Finzi)
Boyhood's End (Tippett)
Budmouth Dears  Group 1 No 3 of A Young Man's Exhortation, Op 14 (Finzi)
By the sea  No 3 of Songs for Achilles (Tippett)
Call off your eyes from care  First line to A Young Man's Exhortation, Group 1 No 1 of A Young Man's Exhortation, Op 14 (Finzi)
Calmes dans le demi-jour  First line to En sourdine, No 4 of Chansons grises (Hahn)
Chanson d'automne  No 1 of Chansons grises (Hahn)
Chansons grises (Hahn)
Choral dances from Gloriana, 1967 version (Britten)
Clairières dans le ciel (Boulanger)
Come unto these yellow sands  No 1 of Songs for Ariel (Tippett)
Come, sleep, and with thy sweet deceiving  First line to Sleep, No 4 of Five Elizabethan Songs (Gurney)
Comme d'un sein ouvert la main arrache une arme  First line to La chère blessure (Hahn)
Compassion  No 3 of The Heart's Assurance (Tippett)
Dans l'air s'en vont les ailes  First line to L'air, No 4 of Douze Rondels (Hahn)
Dear, think not that they will forget you  First line to Her Temple, Group 1 No 4 of A Young Man's Exhortation, Op 14 (Finzi)
Demain fera un an  No 13 of Clairières dans le ciel (Boulanger)
Depuis neuf ans et plus dans l'amphore scellé  First line to Phyllis, No 10 of Études latines (Hahn)
Der Liebende, D207 (Schubert)
Der Sänger, D149 (Schubert)
Der Traum, D213 (Schubert)
Der Weiberfreund, D271 (Schubert)
Deux ancolies  No 10 of Clairières dans le ciel (Boulanger)
Diaphenia (Browne)
Die Laube, D214 (Schubert)
Die Nachtigall  First line to Seufzer, D198 (Schubert)
Ditty  Group 1 No 2 of A Young Man's Exhortation, Op 14 (Finzi)
Donc, ce sera par un clair jour d'été  First line to Tous deux, No 2 of Chansons grises (Hahn)
Douze Rondels (Hahn)
D'une prison (Hahn)
Ein heilig Säuseln und ein Gesangeston  First line to An die Apfelbäume, wo ich Julien erblickte, D197 (Schubert)
Elle est gravement gaie  No 2 of Clairières dans le ciel (Boulanger)
Elle était descendue au bas de la prairie  No 1 of Clairières dans le ciel (Boulanger)
En mes coupes d'un prix modique  First line to Vile potabis, No 6 of Études latines (Hahn)
En sourdine  No 4 of Chansons grises (Hahn)
Epitaph on Salathiel Pavy (Browne)
Études latines (Hahn)
Far are the shades of Arabia  First line to Arabia (Browne)
Fêtes galantes (Hahn)
Five Elizabethan Songs (Gurney)
Former Beauties  Group 2 No 3 of A Young Man's Exhortation, Op 14 (Finzi)
From silent shades and the Elysian groves  First line to Mad Bess, Z370 (Purcell/Tippett/Bergmann)
Full fathom five  No 2 of Songs for Ariel (Tippett)
Gardez le trait de la fenêtre  No 6 of Douze Rondels (Hahn)
Harfenspieler 'Wer sich der Einsamkeit ergibt', D325 (Schubert)
Her Temple  Group 1 No 4 of A Young Man's Exhortation, Op 14 (Finzi)
He's in his grave and on his head  First line to The Dancer, No 4 of The Heart's Assurance (Tippett)
How sweet the moonlight sleeps upon this bank!  First line to Serenade to Music (Vaughan Williams)
I look into my glass  No 4 of Till Earth outwears, Op 19a (Finzi)
I pant for the music which is divine  First line to Music (Tippett)
If music be the food of love, Z379a (Purcell/Tippett/Bergmann)
Il me faut retourner aux anciennes amours  First line to Néère, No 2 of Études latines (Hahn)
Ils se disent, ma colombe  First line to L'enamourée (Hahn)
In the tent  No 1 of Songs for Achilles (Tippett)
In years defaced  No 2 of Till Earth outwears, Op 19a (Finzi)
Infidélité (Hahn)
It bends far over Yell'ham Plain  First line to The Comet at Yell'ham, Group 1 No 5 of A Young Man's Exhortation, Op 14 (Finzi)
It never looks like summer here  No 5 of Till Earth outwears, Op 19a (Finzi)
Ja, ich weiss es, diese treue Liebe  First line to Vergebliche Liebe, D177 (Schubert)
Je garde une médaille d'elle  No 12 of Clairières dans le ciel (Boulanger)
Je me metz en vostre mercy  No 2 of Douze Rondels (Hahn)
La bonne chanson  No 7 of Chansons grises (Hahn)
La chère blessure (Hahn)
La dure épreuve va finir  First line to La bonne chanson, No 7 of Chansons grises (Hahn)
La jeunesse nous quitte, et les Grâces aussi  First line to Lydie, No 1 of Études latines (Hahn)
La lune blanche  First line to L'heure exquise, No 5 of Chansons grises (Hahn)
La nuit  No 11 of Douze Rondels (Hahn)
La paix  No 5 of Douze Rondels (Hahn)
La pêche  No 7 of Douze Rondels (Hahn)
Labetrank der Liebe, D302 (Schubert)
L'air  No 4 of Douze Rondels (Hahn)
L'allée est sans fin  No 3 of Chansons grises (Hahn)
L'automne  No 10 of Douze Rondels (Hahn)
Le ciel est, par-dessus le toit  First line to D'une prison (Hahn)
Le jour  No 1 of Douze Rondels (Hahn)
Le pêcheur vidant ses filets  First line to La pêche, No 7 of Douze Rondels (Hahn)
Le printemps  No 3 of Douze Rondels (Hahn)
Le souci, plus léger que les vents de l'Épire  First line to Salinum, No 3 of Études latines (Hahn)
L'enamourée (Hahn)
Les cieux resplendissants d'étoiles  First line to Les étoiles, No 9 of Douze Rondels (Hahn)
Les donneurs de sérénades  First line to Fêtes galantes (Hahn)
Les étoiles  No 9 of Douze Rondels (Hahn)
Les fontaines (Hahn)
Les lilas qui avaient fleuri  No 9 of Clairières dans le ciel (Boulanger)
Les sanglots long  First line to Chanson d'automne, No 1 of Chansons grises (Hahn)
Let me enjoy the earth  No 1 of Till Earth outwears, Op 19a (Finzi)
L'heure exquise  No 5 of Chansons grises (Hahn)
Life Laughs Onward  No 7 of Till Earth outwears, Op 19a (Finzi)
L'Incrédule (Hahn)
Little head against my shoulder  First line to The Sigh, Group 2 No 2 of A Young Man's Exhortation, Op 14 (Finzi)
L'ombre des arbres dans la rivière embrumée  First line to Paysage triste, No 6 of Chansons grises (Hahn)
Lydé  No 5 of Études latines (Hahn)
Lydie  No 1 of Études latines (Hahn)
Mad Bess, Z370 (Purcell/Tippett/Bergmann)
Mes vers fuiraient, doux et frêles  First line to Si mes vers avaient des ailes (Hahn)
Mir träumt’, ich war ein Vögelein  First line to Der Traum, D213 (Schubert)
Music (Tippett)
Ne crains pas de puiser aux réduits du cellier  First line to Thaliarque, No 4 of Études latines (Hahn)
Néère  No 2 of Études latines (Hahn)
Nimmer werd ich, nimmer dein vergessen  First line to Die Laube, D214 (Schubert)
Nobody took any notice of her as she stood on the causey kerb  First line to The Market-Girl, No 3 of Till Earth outwears, Op 19a (Finzi)
Noch fand von Evens Töchterschaaren  First line to Der Weiberfreund, D271 (Schubert)
Nous bénissons la douce nuit  First line to La nuit, No 11 of Douze Rondels (Hahn)
Nous nous aimerons tant  No 7 of Clairières dans le ciel (Boulanger)
Ô blanche Tyndaris, les Dieux me sont amis  First line to Tyndaris, No 7 of Études latines (Hahn)
O dass ich dir vom stillen Auge  First line to An die Geliebte, D303 (Schubert)
O never trust the heart's assurance  First line to The heart's assurance, No 2 of The Heart's Assurance (Tippett)
O rich-soiled land, O land of Phthia  First line to In the tent, No 1 of Songs for Achilles (Tippett)
Offrande (Hahn)
Offre un encens modeste aux Lares familiers  First line to Phidylé, No 9 of Études latines (Hahn)
Oh journey-man, before this endless belt began  First line to Song, No 1 of The Heart's Assurance (Tippett)
Orpheus  No 1 of Five Elizabethan Songs (Gurney)
Orpheus with his lute made trees  First line to Orpheus, No 1 of Five Elizabethan Songs (Gurney)
Oublie, ô Pholoé, la lyre et les festins  First line to Pholoé, No 8 of Études latines (Hahn)
Par ce que j'ai souffert  No 11 of Clairières dans le ciel (Boulanger)
Parfois, je suis triste  No 3 of Clairières dans le ciel (Boulanger)
Patroclus whirls there across the plain  First line to Across the plain, No 2 of Songs for Achilles (Tippett)
Pausanias, the Betrayer of his Country, Z585 (Purcell/Tippett/Bergmann)
Paysage triste  No 6 of Chansons grises (Hahn)
Phidylé  No 9 of Études latines (Hahn)
Pholoé  No 8 of Études latines (Hahn)
Phyllis  No 10 of Études latines (Hahn)
Portion of this yew is a man my grandshire new  First line to Transformations, Group 2 No 4 of A Young Man's Exhortation, Op 14 (Finzi)
Pour que ton rire claire, jeune, tendre et léger  First line to Les fontaines (Hahn)
Quand je fus pris au pavillon  No 8 of Douze Rondels (Hahn)
Rambling I looked for an old abode  First line to Life Laughs Onward, No 7 of Till Earth outwears, Op 19a (Finzi)
Regret not me; beneath the sunny tree  First line to The Dance Continued, Group 2 No 5 of A Young Man's Exhortation, Op 14 (Finzi)
Remember your lovers  No 5 of The Heart's Assurance (Tippett)
Renouveau (Boulanger)
Salinum  No 3 of Études latines (Hahn)
See! with what constant motion  First line to To Gratiana dancing and singing (Browne)
Sei gegrüsst, geweihte Stille  First line to Auf einen Kirchhof, D151 (Schubert)
Serenade to Music (Vaughan Williams)
Seufzer, D198 (Schubert)
She in the hurling night with lucid simple hands  First line to Compassion, No 3 of The Heart's Assurance (Tippett)
Shortening Days  Group 2 No 1 of A Young Man's Exhortation, Op 14 (Finzi)
Si mes vers avaient des ailes (Hahn)
Si tout ceci n'est qu'un pauvre rêve  No 6 of Clairières dans le ciel (Boulanger)
Sie ist dahin, die Maienlieder tönte  First line to Auf den Tod einer Nachtigall, D201 (Schubert)
S'il est vrai, Chloris, que tu m'aimes  First line to À Chloris (Hahn)
Sleep  No 4 of Five Elizabethan Songs (Gurney)
Soir sur la plaine (Boulanger)
Sois le bienvenue, rouge automne  First line to L'automne, No 10 of Douze Rondels (Hahn)
Song  No 1 of The Heart's Assurance (Tippett)
Songs for Achilles (Tippett)
Songs for Ariel (Tippett)
Spring  No 5 of Five Elizabethan Songs (Gurney)
Sweeter than roses  Act 2 of Pausanias, the Betrayer of his Country, Z585 (Purcell/Tippett/Bergmann)
Te voilà, rire du printemps!  First line to Le printemps, No 3 of Douze Rondels (Hahn)
Tears  No 2 of Five Elizabethan Songs (Gurney)
Thaliarque  No 4 of Études latines (Hahn)
The Comet at Yell'ham  Group 1 No 5 of A Young Man's Exhortation, Op 14 (Finzi)
The Dance Continued  Group 2 No 5 of A Young Man's Exhortation, Op 14 (Finzi)
The Dancer  No 4 of The Heart's Assurance (Tippett)
The Fairy Queen, Z629 (Purcell/Tippett/Bergmann)
The fatal hour comes on apace, Z421 (Purcell/Tippett/Bergmann)
The first fire since summer is lit, and it smoking into the room  First line to Shortening Days, Group 2 No 1 of A Young Man's Exhortation, Op 14 (Finzi)
The Heart's Assurance (Tippett)
The Market-Girl  No 3 of Till Earth outwears, Op 19a (Finzi)
The Masque begins  First line to Choral dances from Gloriana, 1967 version (Britten)
The Sigh  Group 2 No 2 of A Young Man's Exhortation, Op 14 (Finzi)
These market-dames, mid-aged, with lips thin-drawn  First line to Former Beauties, Group 2 No 3 of A Young Man's Exhortation, Op 14 (Finzi)
Thrice happy lovers, may you be for ever free  First line to An Epithalamium (Wedding Song), Act 5 of The Fairy Queen, Z629 (Purcell/Tippett/Bergmann)
Thy shadow, earth, from pole to central sea  First line to At a lunar eclipse, No 6 of Till Earth outwears, Op 19a (Finzi)
Till Earth outwears, Op 19a (Finzi)
To Gratiana dancing and singing (Browne)
Tous deux  No 2 of Chansons grises (Hahn)
Tout est ravi quand vient le Jour  First line to Le jour, No 1 of Douze Rondels (Hahn)
Transformations  Group 2 No 4 of A Young Man's Exhortation, Op 14 (Finzi)
Tu crois au marc de café  First line to L'Incrédule (Hahn)
Tyndaris  No 7 of Études latines (Hahn)
Über Tal und Fluss getragen  First line to An Mignon, D161 Second version (Schubert)
Un poète disait  No 4 of Clairières dans le ciel (Boulanger)
Under the greenwood tree  No 3 of Five Elizabethan Songs (Gurney)
Verfliesset, vielgeliebte Lieder  First line to Am Flusse, D160 (Schubert)
Vergebliche Liebe, D177 (Schubert)
Viens! C'est le jour d'un Dieu  First line to Lydé, No 5 of Études latines (Hahn)
Vile potabis  No 6 of Études latines (Hahn)
Voici des fruits, des fleurs  First line to Offrande (Hahn)
Voici l'orme qui balance  First line to Infidélité (Hahn)
Vous m'avez regardé avec toute votre âme  No 8 of Clairières dans le ciel (Boulanger)
Was hör’ ich draussen vor dem Tor  First line to Der Sänger, D149 (Schubert)
Weep with me all ye that read  First line to Epitaph on Salathiel Pavy (Browne)
Weep you now more, sad fountains  First line to Tears, No 2 of Five Elizabethan Songs (Gurney)
Wenn im Spiele leiser Töne  First line to Labetrank der Liebe, D302 (Schubert)
What, then, did I want?  First line to Boyhood's End (Tippett)
When we lay where Budmouth Beach is, o the girls were fresh as peaches  First line to Budmouth Dears, Group 1 No 3 of A Young Man's Exhortation, Op 14 (Finzi)
Where the bee sucks  No 3 of Songs for Ariel (Tippett)
Wie ist es denn, dass trüb und schwer  First line to Abend, D645 (Schubert/Brown)
Young men walking the open streets  First line to Remember your lovers, No 5 of The Heart's Assurance (Tippett)
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