Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

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Artist Hyperion Records
Künne, Thomas (tenor)
© Petra Benovsky

Thomas Künne (tenor)

Thomas Künne was born in 1965 in Thüringen, Germany. Having studied conducting in Weimar he moved to Vienna, where he studied Lied and Oratorio with Edith Mathis. Since moving to Vienna in 1993 Thomas has sung many operatic roles, as well as working at Vienna’s Burgtheater as a singer and actor. Regular collaborations with German director Einar Schleef culminated in 1999 with him playing the title role in The Golem of Bayreuth (Ulla Berkéwicz/Lesch Schmidt) at Vienna’s Akademietheater. Thomas sings professionally as both a tenor and countertenor with the ensembles Orpheon Consort, Clemencic Consort and Cinquecento, whilst continuing a solo career specialising in modern works and opera. He teaches at Vienna’s Singakademie and at the Musikschule, Hollabrunn.


Amorosi pensieri
Studio Master: CDA68053Studio Master FLAC & ALAC downloads available
Monte: Missa Ultimi miei sospiri & other sacred music
Studio Master: CDA67658Studio Master FLAC & ALAC downloads available
Music for the Court of Maximilian II
Regnart: Missa Super Oeniades Nymphae & other sacred music
Richafort: Requiem & other sacred music
Studio Master: CDA67959Studio Master FLAC & ALAC downloads available
Schoendorff: The Complete Works
Studio Master: CDA67854Studio Master FLAC & ALAC downloads available
Vaet: Missa Ego flos campi & other sacred music
Studio Master: CDA67733Studio Master FLAC & ALAC downloads available
Willaert: Missa Mente tota & motets
Studio Master: CDA67749Studio Master FLAC & ALAC downloads available

Complete works available for download

JACOBUS CLEMENS NON PAPA (c1510/15-1555/6)
Ego flos campiwith Cinquecento, Bernd Oliver Fröhlich (tenor)
Missa Ascendetis post filiumwith Cinquecento
NICOLAS GOMBERT (c1495-c1560)
Musae Joviswith Cinquecento
JEAN GUYOT (?1512-1588)
En lieux d’esbatz m’assault melancoliewith Cinquecento
Tel en mesdict qui pour soy la desirewith Cinquecento
Vous estes si doulce et benignewith Cinquecento
Vous perdez temps de me dire mal d’ellewith Cinquecento
JOSQUIN DES PREZ (c1450/55-1521)
Faulte d'argentwith Cinquecento
Miserere mei, Deuswith Cinquecento
Nymphes des bois / Requiem aeternamwith Cinquecento
Nymphes, nappés / Circumdederunt mewith Cinquecento
ORLANDE DE LASSUS (1530/32-1594)
Pacis amanswith Cinquecento
PIETER MAESSENS (c1505-1562)
Discessuwith Cinquecento
Ad te levaviwith Cinquecento
Amorosi pensieriwith Cinquecento
Anima dolorosawith Cinquecento
Asperges me, Dominewith Cinquecento
Con che soavitàwith Cinquecento
Fratres, ego enim accepiwith Cinquecento
Gaudent in caelis animae Sanctorumwith Cinquecento
La dolce vista della donna miawith Cinquecento
Magnificat quarti toniwith Cinquecento
Miserere mei, Deuswith Cinquecento
Missa Ultimi miei sospiriwith Cinquecento
Ne timeas, Mariawith Cinquecento
O dolci sguardiwith Cinquecento
Ombra son iowith Cinquecento
Que me servent mes verswith Cinquecento
Susanne un jourwith Cinquecento
Usquequo Domine oblivisceris me?with Cinquecento
JACOB REGNART (c1540-1599)
Ach weh der Zeit, die ich verzertwith Cinquecento
Alarm’, alarm’ o fidi miei pensieriwith Cinquecento
Amor, che debbo farewith Cinquecento
Du hast mich sollen nemenwith Cinquecento
Ein Lieb nit mehr hatwith Cinquecento
Exsultent iustiwith Cinquecento
Inviolatawith Cinquecento
Missa Super Oeniades Nymphaewith Cinquecento
Quare tristis es, anima mea?with Cinquecento
Quod mitis sapiens nulli virtute secunduswith Cinquecento
Ut vigilum densa silvam cingente coronawith Cinquecento
Vola vola pensierwith Cinquecento
JEAN RICHAFORT (c1480-after 1547)
Missa pro defunctis 'Requiem'with Cinquecento
CIPRIANO DE RORE (c1515/16-1565)
Concordes adhibete animoswith Cinquecento
PHILIPP SCHOENDORFF (1565/70-in or after 1617)
Missa super La dolce vistawith Cinquecento
Missa Usquequo Dominewith Cinquecento
Te decet hymnuswith Cinquecento
Veni Sancte Spirituswith Cinquecento
JACOBUS VAET (c1529-1567)
Amour lealwith Cinquecento
Antevenis virideswith Cinquecento
Ascendetis post filiumwith Cinquecento
Conditor alme siderumwith Cinquecento
Continuo lacrimaswith Cinquecento
Miserere mei, Deuswith Cinquecento
Missa Ego flos campiwith Cinquecento
O quam gloriosumwith Cinquecento
Salve reginawith Cinquecento
Sans vous ne puiswith Cinquecento
Spiritus Dominiwith Cinquecento
Videns Dominuswith Cinquecento
PHILIPPE VERDELOT (c1480/85-?1530/32)
Ultimi miei sospiriwith Cinquecento
O mors inevitabiliswith Cinquecento
ADRIAN WILLAERT (c1490-1562)
Creator omnium, Deuswith Cinquecento
Missa Mente totawith Cinquecento
O iubar, nostrae specimen salutiswith Cinquecento
Quid non ebrietas?with Cinquecento
Verbum bonum et suavewith Cinquecento

Alphabetical listing of all musical works

Ach weh der Zeit, die ich verzert (Regnart)
Ad te levavi (Monte)
Alarm’, alarm’ o fidi miei pensieri (Regnart)
Amor, che debbo fare (Regnart)
Amorosi pensieri (Monte)
Amour leal (Vaet)
Anima dolorosa (Monte)
Antevenis virides (Vaet)
Ascendetis post filium (Vaet)
Asperges me, Domine (Monte)
Con che soavità (Monte)
Concordes adhibete animos (Rore)
Conditor alme siderum (Vaet)
Continuo lacrimas (Vaet)
Creator omnium, Deus (Willaert)
Discessu (Maessens)
Du hast mich sollen nemen (Regnart)
Ego flos campi (Clemens)
Ein Lieb nit mehr hat (Regnart)
En lieux d’esbatz m’assault melancolie (Guyot)
Exsultent iusti (Regnart)
Faulte d'argent (Josquin)
Fratres, ego enim accepi (Monte)
Gaudent in caelis animae Sanctorum (Monte)
Inviolata (Regnart)
La dolce vista della donna mia (Monte)
Magnificat quarti toni (Monte)
Mente tota  
Miserere mei, Deus (Josquin)
Miserere mei, Deus (Monte)
Miserere mei, Deus (Vaet)
Missa Ascendetis post filium (Galli)
Missa Ego flos campi (Vaet)
Missa Mente tota (Willaert)
Missa pro defunctis 'Requiem' (Richafort)
Missa super La dolce vista (Schoendorff)
Missa Super Oeniades Nymphae (Regnart)
Missa Ultimi miei sospiri (Monte)
Missa Usquequo Domine (Schoendorff)
Musae Jovis (Gombert)
Ne timeas, Maria (Monte)
Nymphes des bois / Requiem aeternam (Josquin)
Nymphes, nappés / Circumdederunt me (Josquin)
O dolci sguardi (Monte)
O iubar, nostrae specimen salutis (Willaert)
O mors inevitabilis (Vinders)
O quam gloriosum (Vaet)
Ombra son io (Monte)
Pacis amans (Lassus)
Quare tristis es, anima mea? (Regnart)
Que me servent mes vers (Monte)
Quid non ebrietas? (Willaert)
Quod mitis sapiens nulli virtute secundus (Regnart)
Salve regina (Vaet)
Sans vous ne puis (Vaet)
Spiritus Domini (Vaet)
Susanne un jour (Monte)
Te decet hymnus (Schoendorff)
Tel en mesdict qui pour soy la desire (Guyot)
Ultimi miei sospiri (Verdelot)
Usquequo Domine oblivisceris me? (Monte)
Ut vigilum densa silvam cingente corona (Regnart)
Veni Sancte Spiritus (Schoendorff)
Verbum bonum et suave (Willaert)
Videns Dominus (Vaet)
Vola vola pensier (Regnart)
Vous estes si doulce et benigne (Guyot)
Vous perdez temps de me dire mal d’elle (Guyot)
Vultum tuum deprecabuntur (Josquin)

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