Hyperion Records

Artist Hyperion Records
Roberts, Timothy (harpsichord/spinet/virginals)
© Rik Walton

Timothy Roberts (harpsichord/spinet/virginals)

see also Timothy Roberts (fortepiano)

see also Timothy Roberts (organ/regal)

see also Timothy Roberts (conductor)

Timothy Roberts is an early-keyboard specialist, working as an accompanist, director or soloist on harpsichord, organ, fortepiano or clavichord in many areas of music from the sixteenth to the nineteenth century. He is principal keyboard player of The Gabrieli Consort and Players, appearing on many of their award-winning discs. He has toured widely with His Majestys Sagbutts and Cornetts. In the field of Baroque and Classical song he has accompanied many outstanding singers including Emma Kirkby, Catherine Bott, Julia Gooding, Rufus Müller and John Mark Ainsley. Directing his own ensemble, Invocation, he has made a series of pioneering recordings of Georgian vocal music for Hyperion. His many recitals have ranged from Renaissance harpsichord works to sonatas by Mozart and by British composers.

Timothy was born in London, was a music scholar at Cambridge University and studied harpsichord at The Guildhall School of Music under the late Christopher Kite, and with Jill Severs. He has published numerous editions of early music, most recently with Oxford University Press.

Albums
'Blow: Fairest Work of happy Nature' (CDA66646)
Blow: Fairest Work of happy Nature
MP3 £4.00FLAC £4.00ALAC £4.00Buy by post £13.99 (ARCHIVE SERVICE) CDA66646  Archive Service   Download currently discounted
'Enchanting Harmonist' (CDA66698)
Enchanting Harmonist
with Invocation
'For His Majestys Sagbutts & Cornetts' (CDH55406)
For His Majestys Sagbutts & Cornetts
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55406  Helios (Hyperion's budget label)  
'His Majestys Sagbutts and Cornetts Grand Tour' (CDH55344)
His Majestys Sagbutts and Cornetts Grand Tour
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55344  Helios (Hyperion's budget label)  
'O tuneful voice' (CDA66497)
O tuneful voice
'The Age of Extravagance' (CDA66977)
The Age of Extravagance
MP3 £6.00FLAC £6.00ALAC £6.00Buy by post £13.99 (ARCHIVE SERVICE) CDA66977  Archive Service   Download currently discounted
'The Floating City' (CDH55320)
The Floating City
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55320  Helios (Hyperion's budget label)  
Complete works available for download
ANONYMOUS - RENAISSANCE
In nomine
Irish Dance
HUGH ASTON  (c1485-?1558)
A Hornepype
JOHN BLOW  (1649-1708)
Flavia grown old with John Mark Ainsley (tenor)
Ground in C
Ground in G minor
Lovely Selena, innocent and free with John Mark Ainsley (tenor), Paula Chateauneuf (guitar)
Morlake Ground
O turn not those fine eyes away with John Mark Ainsley (tenor)
Prelude in G
Sabina has a thousand charms with John Mark Ainsley (tenor)
Sett No 1 in D minor 'Suite'
Sett No 3 in A minor 'Suite'
JOHN BULL  (?1562/3-1628)
Fantasia
DARIO CASTELLO  (fl1610-1620)
Sonata No 11 a 3 with His Majestys Sagbutts & Cornetts
Sonata No 14 a 4 with His Majestys Sagbutts & Cornetts
Sonata No 5 a 2 with His Majestys Sagbutts & Cornetts
Sonata seconda a soprano solo with Jeremy West (cornett), Paula Chateauneuf (chitarrone), Frances Kelly (harp)
FRANCISCO CORREA DE ARAUXO  (1584-1654)
Glosas sobre el Canto Llano de la Immaculada Concepción with Jeremy West (cornett)
Tiento No 15, de quarto tono
SIR WILLIAM HERSCHEL  (1738-1822)
Sonata in D, Op 4 No 4 with Invocation
WILLIAM JACKSON  (1730-1803)
Love in thine eyes for ever plays, Op 13 No 7 with Invocation, Julia Gooding (soprano), Ana-María Rincón (soprano)
Sonata in A minor, Op 2 No 3 with Invocation
The day that saw thy beauty rise with Rufus Müller (tenor)
THOMAS LINLEY  (1733-1795)
Ah! what avails the sprightly morn of life with Invocation, Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
Awake, my lyre with Invocation, Rufus Müller (tenor)
Fly to my aid, O mighty Love with Invocation, Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
He who could first two gentle hearts unbind with Invocation, Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
In thousand thoughts of love and thee with Invocation, Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
The lark sings high in the cornfield with Emma Kirkby (soprano)
Ye sportive loves, that round me wait with Invocation, Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
TARQUINIO MERULA  (1594/5-1665)
Capriccio cromatico del primo tono
GIOVANNI PICCHI  (1572-1643)
Padoana ditta la Ongara
Toccata
MICHELANGELO ROSSI  (c1601-1656)
Toccata settima
WILLIAM SHIELD  (1748-1829)
Hope and love with Emma Kirkby (soprano)
MATTHIAS WECKMANN  (?1616-1674)
Toccata III
Alphabetical listing of all musical works
A Hornepype (Aston)
Ah! what avails the sprightly morn of life (Linley Sr.)
Awake, my lyre (Linley Sr.)
Capriccio cromatico del primo tono (Merula)
Fantasia (Bull)
Flavia grown old (Blow)
Fly to my aid, O mighty Love (Linley Sr.)
Glosas sobre el Canto Llano de la Immaculada Concepción (Correa de Arauxo)
Ground in C (Blow)
Ground in G minor (Blow)
He who could first two gentle hearts unbind (Linley Sr.)
Hope and love (Shield)
In nomine (Anon)
In thousand thoughts of love and thee (Linley Sr.)
Irish Dance (Anon)
Love in thine eyes for ever plays, Op 13 No 7 (Jackson)
Lovely Selena, innocent and free (Blow)
Morlake Ground (Blow)
O turn not those fine eyes away (Blow)
Padoana ditta la Ongara (Picchi)
Prelude in G (Blow)
Sabina has a thousand charms (Blow)
Sett No 1 in D minor 'Suite' (Blow)
Sett No 3 in A minor 'Suite' (Blow)
Sonata in A minor, Op 2 No 3 (Jackson)
Sonata in D, Op 4 No 4 (Herschel)
Sonata No 11 a 3 (Castello)
Sonata No 14 a 4 (Castello)
Sonata No 5 a 2 (Castello)
Sonata seconda a soprano solo (Castello)
The day that saw thy beauty rise (Jackson)
The lark sings high in the cornfield (Linley Sr.)
Tiento No 15, de quarto tono (Correa de Arauxo)
Toccata (Picchi)
Toccata III (Weckmann)
Toccata settima (Rossi)
When love was a stranger  First line to Hope and love (Shield)
Why Flavia, why so wanton still?  First line to Flavia grown old (Blow)
Ye sportive loves, that round me wait (Linley Sr.)
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