Hyperion Records

Artist Hyperion Records
Thompson, Adrian (tenor)

Adrian Thompson (tenor)

London-born Adrian Thompson is an artist of extraordinary versatility with a wide-ranging opera, concert and recital repertoire of music from the Renaissance to the present day.

He has appeared at Glyndebourne and with English National Opera, Scottish Opera, Badishes Staatstheater Karlsruhe, Staatstheater Stuttgart, New Israeli Opera, Netherlands Opera, Opera Zuid and at many festivals including Buxton, Wexford, Lausanne and Göttingen.

Adrian has appeared with the Royal Philharmonic, BBC Symphony, BBC Philharmonic, Northern Sinfonia, Bournemouth Symphony (Orchestra and Sinfonietta), National Arts Centre (Ottawa) Orchestras. Also the Netherlands Philharmonic Orchestra, The London Mozart Players, The Nash Ensemble, The Schoenberg Ensemble, The Sixteen and The English Concert with conductors Hickox, Gardiner, Christophers, Pinnock, Bedford, Glover, Knussen, de Leeuw, Daussgard, Herreweghe, Fischer and Pesek. He is particularly in demand for his interpretations of all the major works of Benjamin Britten, Verdi's Requiem, Elgar's Dream of Gerontius and the Evangelists of Bach's St John and St Matthew Passions.

A very experienced recitalist, he regularly appears at London's Wigmore Hall with The Songmakers' Almanac and on BBC Radio. He is a frequent visitor to The Aldeburgh Festival and has given recitals in the South Bank's major Schubert and Schoenberg series and in Northern Ireland, Geneva, Stuttgart and Amsterdam.

Hazard Chase Ltd, 25 City Road, Cambridge CB1 1DP, United Kingdom Tel: (44) 1223 312400 Fax: (44) 1223 460827; email info@hazardchase.co.uk; www.hazardchase.co.uk

Albums
'Gay: The Beggar's Opera' (CDA66591/2)
Gay: The Beggar's Opera
Buy by post £20.00 CDA66591/2  2CDs  
'Gurney: Ludlow and Teme & The Western Playland; Vaughan Williams: On Wenlock Edge' (CDH55187)
Gurney: Ludlow and Teme & The Western Playland; Vaughan Williams: On Wenlock Edge
Buy by post £4.40 CDH55187  Helios (Hyperion's budget label) Composers of World War I  
'Janáček: Orchestral Music' (CDA67517)
Janáček: Orchestral Music
Buy by post £10.50 CDA67517  Studio Master FLAC & ALAC downloads available
'Janáček: Orchestral Music' (SACDA67517)
Janáček: Orchestral Music
Buy by post £10.50 SACDA67517  Super-Audio CD  
'Schubert: The Complete Songs' (CDS44201/40)
Schubert: The Complete Songs
Buy by post £150.00 CDS44201/40  40CDs Boxed set + book (at a special price)  
'Schubert: The Hyperion Schubert Edition, Vol. 12 – Adrian Thompson' (CDJ33012)
Schubert: The Hyperion Schubert Edition, Vol. 12 – Adrian Thompson
Buy by post £10.50 CDJ33012 
'Schubert: The Hyperion Schubert Edition, Vol. 33' (CDJ33033)
Schubert: The Hyperion Schubert Edition, Vol. 33
Buy by post £13.99 (ARCHIVE SERVICE) CDJ33033  Archive Service; also available on CDS44201/40  
'Schumann: The Complete Songs' (CDS44441/50)
Schumann: The Complete Songs
Buy by post £38.50 CDS44441/50  10CDs Boxed set (at a special price)  
'Schumann: The Complete Songs, Vol. 11 – Hanno Müller-Brachmann' (CDJ33111)
Schumann: The Complete Songs, Vol. 11 – Hanno Müller-Brachmann
Buy by post £5.25 CDJ33111  Please, someone, buy me …  
'Schumann: The Complete Songs, Vol. 6 – Geraldine McGreevy, Stella Doufexis, Adrian Thompson & Stephan Loges' (CDJ33106)
Schumann: The Complete Songs, Vol. 6 – Geraldine McGreevy, Stella Doufexis, Adrian Thompson & Stephan Loges
Buy by post £10.50 CDJ33106 
'Vaughan Williams: Choral Works' (CDS44321/4)
Vaughan Williams: Choral Works
Buy by post £22.00 CDS44321/4  4CDs Boxed set (at a special price)  
'Vaughan Williams: On Wenlock Edge; Gurney: Ludlow and Teme & The Western Playland' (CDH55187)
Vaughan Williams: On Wenlock Edge; Gurney: Ludlow and Teme & The Western Playland
Buy by post £4.40 CDH55187  Helios (Hyperion's budget label) Composers of World War I  
'Vaughan Williams: The shepherds of the delectable mountains & other works' (CDA66569)
Vaughan Williams: The shepherds of the delectable mountains & other works
Buy by post £13.99 (ARCHIVE SERVICE) CDA66569  Archive Service; also available on CDS44321/4   Download currently discounted
'Schubert: An introduction to The Hyperion Schubert Edition' (HYP200)
Schubert: An introduction to The Hyperion Schubert Edition
HYP200  Super-budget price sampler — Deleted  
Alphabetical listing of all musical works
A fox may steal your hens, sir (Peachum)  Act 1 No 20 Air 11, 'A soldier and a sailor' (Eccles) of The Beggar's Opera (Gay/Pepusch)
Adelaide, D95 (Schubert)
All this the angel told me at my vigil  Movement 4 of The Eternal Gospel (Janáček)
Alle gingen, Herz, zur Ruh  First line to In der Nacht, No 4 of Spanisches Liederspiel, Op 74 (Schumann)
Also lieb' ich Euch, Geliebte  First line to Geständnis, No 7 of Spanisches Liederspiel, Op 74 (Schumann)
Among the men, coquets we find (Polly/Lucy)  Act 3 No 18 Air 50, 'Would fate to me Belinda give' (Wilford) of The Beggar's Opera (Gay/Pepusch)
An dem jungen Morgenhimmel  First line to Don Gayseros III, D93 No 3 (Schubert)
An Laura, als sie Klopstocks Auferstehungslied sang, D115 (Schubert)
And so it will pass, as written in the scriptures!  Movement 1 of The Eternal Gospel (Janáček)
Andenken, D99 (Schubert)
Ballade  No 7 of Des Sängers Fluch, Op 139 (Schumann)
Ballade, D134 (Schubert)
Bedeckt mich mit Blumen  No 4 of Spanische Liebeslieder, Op 138 (Schumann)
Blaue Augen hat das Mädchen  No 9 of Spanische Liebeslieder, Op 138 (Schumann)
Botschaft  No 8 of Spanisches Liederspiel, Op 74 (Schumann)
Bredon Hill  No 5 of On Wenlock Edge (Vaughan Williams)
Clun  No 6 of On Wenlock Edge (Vaughan Williams)
Dass ihr steht in Liebesglut  First line to Es ist verraten, No 5 of Spanisches Liederspiel, Op 74 (Schumann)
Der Contrabandiste  No 10 of Spanisches Liederspiel, Op 74 (Schumann)
Der Geistertanz, D15 (Schubert)
Der Geistertanz, D15a (Schubert)
Der Vatermörder, D10 (Schubert)
Dereinst, dereinst  First line to Liebesgram, No 3 of Spanisches Liederspiel, Op 74 (Schumann)
Des Sängers Fluch, Op 139 (Schumann)
Die Advokaten, D37 (Schubert)
Die Betende, D102 (Schubert)
Die bretterne Kammer  First line to Der Geistertanz, D15 (Schubert)
Die bretterne Kammer  First line to Der Geistertanz, D15a (Schubert)
Die Schatten, D50 (Schubert)
Die tausend Grüsse  No 7 of Minnespiel, Op 101 (Schumann)
Don Gayseros I, D93 No 1 (Schubert)
Don Gayseros II, D93 No 2 (Schubert)
Don Gayseros III, D93 No 3 (Schubert)
Dunkler Lichtglanz, blinder Blick  No 10 of Spanische Liebeslieder, Op 138 (Schumann)
Durch Fichten am Hügel, durch Erlen am Bach  First line to Lied der Liebe, D109 (Schubert)
Ein Fräulein schaut vom hohen Turm  First line to Ballade, D134 (Schubert)
Ein jügendlicher Maienschwung, D61 (Schubert)
Ein Vater starb von des Sohnes Hand  First line to Der Vatermörder, D10 (Schubert)
Einsam wandelt dein Freund im Frühlingsgarten  First line to Adelaide, D95 (Schubert)
Erste Begegnung  No 1 of Spanisches Liederspiel, Op 74 (Schumann)
Es ist verraten  No 5 of Spanisches Liederspiel, Op 74 (Schumann)
Far in a western brookland  No 2 of Ludlow and Teme (Gurney)
Flutenreicher Ebro  No 5 of Spanische Liebeslieder, Op 138 (Schumann)
Freunde, deren Grüfte sich schon bemoosten!  First line to Die Schatten, D50 (Schubert)
From far, from eve and morning  No 2 of On Wenlock Edge (Vaughan Williams)
Geständnis  No 7 of Spanisches Liederspiel, Op 74 (Schumann)
Herzen, die gen Himmel sich erheben  First line to An Laura, als sie Klopstocks Auferstehungslied sang, D115 (Schubert)
Hoch, hoch sind die Berge  No 8 of Spanische Liebeslieder, Op 138 (Schumann)
How cruel are the traitors (Lucy/Macheath)  Act 2 No 18 Air 28, ''Twas when the sea was roaring' (Handel) of The Beggar's Opera (Gay/Pepusch)
Ich bin dein Baum  No 3 of Minnespiel, Op 101 (Schumann)
Ich bin der Contrabandiste  First line to Der Contrabandiste, No 10 of Spanisches Liederspiel, Op 74 (Schumann)
Ich bin geliebt  No 9 of Spanisches Liederspiel, Op 74 (Schumann)
Ich denke dein  First line to Andenken, D99 (Schubert)
If love the virgin's heart invade (Mrs Peachum/Peachum)  Act 1 No 9 Air 4, 'Why is your faithful slave disdain'd?' (attrib. Bononcini) of The Beggar's Opera (Gay/Pepusch)
In den Talen der Provence  First line to Provenzalisches Lied, No 4 of Des Sängers Fluch, Op 139 (Schumann)
In der hohen Hall’ saß König Sifrid  First line to Ballade, No 7 of Des Sängers Fluch, Op 139 (Schumann)
In der Nacht  No 4 of Spanisches Liederspiel, Op 74 (Schumann)
In summertime on Bredon  First line to Bredon Hill, No 5 of On Wenlock Edge (Vaughan Williams)
In valleys of springs of rivers  First line to Clun, No 6 of On Wenlock Edge (Vaughan Williams)
Intermezzo  No 2 of Spanisches Liederspiel, Op 74 (Schumann)
Intermezzo  No 6 of Spanische Liebeslieder, Op 138 (Schumann)
Is my team ploughing?  No 3 of On Wenlock Edge (Vaughan Williams)
Laura betet! Engelharfen hallen  First line to Die Betende, D102 (Schubert)
Lehnst du deine bleichgehärmte Wange  First line to Trost 'An Elisa', D97 (Schubert)
Let us take the road (Matt)  Act 2 No 4 Air 20, 'March in Rinaldo' (Handel) of The Beggar's Opera (Gay/Pepusch)
Liebesgram  No 3 of Spanisches Liederspiel, Op 74 (Schumann)
Liebster, deine Worte stehlen  No 2 of Minnespiel, Op 101 (Schumann)
Lied aus der Ferne, D107 (Schubert)
Lied der Liebe, D109 (Schubert)
Ludlow and Teme (Gurney)
Ludlow fair  No 4 of Ludlow and Teme (Gurney)
Mein Herr, ich komm’ mich anzufragen  First line to Die Advokaten, D37 (Schubert)
Mein schöner Stern!  No 4 of Minnespiel, Op 101 (Schumann)
Meine Töne still und heiter  No 1 of Minnespiel, Op 101 (Schumann)
Melancholie  No 6 of Spanisches Liederspiel, Op 74 (Schumann)
Minnespiel, Op 101 (Schumann)
Mögen alle bösen Zungen  First line to Ich bin geliebt, No 9 of Spanisches Liederspiel, Op 74 (Schumann)
My heart was so free (Macheath/Polly)  Act 1 No 27 Air 15, 'Pray, fair one, be kind' (Leveridge) of The Beggar's Opera (Gay/Pepusch)
Nächtens klang die süsse Laute  First line to Don Gayseros II, D93 No 2 (Schubert)
Nachtgesang, D119 (Schubert)
Nelken wind' ich und Jasmin  First line to Botschaft, No 8 of Spanisches Liederspiel, Op 74 (Schumann)
O Freund, mein Schirm, mein Schutz!  No 6 of Minnespiel, Op 101 (Schumann)
O gib, vom weichen Pfühle  First line to Nachtgesang, D119 (Schubert)
O hearken, you whose heart is faint and wilted!  Movement 3 of The Eternal Gospel (Janáček)
O wie lieblich ist das Mädchen  No 3 of Spanische Liebeslieder, Op 138 (Schumann)
Oh, when I was in love with you  No 4 of On Wenlock Edge (Vaughan Williams)
On the idle hill of summer  No 5 of Ludlow and Teme (Gurney)
On Wenlock Edge  No 1 of On Wenlock Edge (Vaughan Williams)
On Wenlock Edge (Vaughan Williams)
Pretty Polly, say (Macheath/Polly)  Act 1 No 26 Air 14, 'Pretty parrot, say' (Freeman) of The Beggar's Opera (Gay/Pepusch)
Provenzalisches Lied  No 4 of Des Sängers Fluch, Op 139 (Schumann)
Schön ist das Fest des Lenzes  No 5 of Minnespiel, Op 101 (Schumann)
See the angel flying, silently soaring  Movement 2 of The Eternal Gospel (Janáček)
Sehnsucht, D123 (Schubert)
Serbate, o Dei custodi, D35 No 3 (Schubert/Orel)
So wahr die Sonne scheinet  No 8 of Minnespiel, Op 101 (Schumann)
Spanische Liebeslieder, Op 138 (Schumann)
Spanisches Liederspiel, Op 74 (Schumann)
The Beggar's Opera (Gay/Pepusch)
The Eternal Gospel (Janáček)
The lads in their hundreds to Ludlow come in for the fair  First line to Ludlow fair, No 4 of Ludlow and Teme (Gurney)
The Lent Lily  No 7 of Ludlow and Teme (Gurney)
The modes of the court so common are grown (Macheath/Ben/Matt)  Act 3 No 8 Air 44, 'Lillibulero' (attrib. Purcell) of The Beggar's Opera (Gay/Pepusch)
The shepherds of the delectable mountains (Vaughan Williams)
Thus when the swallow, seeking prey (Polly/Macheath/Lucy)  Act 2 No 28 Air 34, 'All in the Downs' (Sandoni) of The Beggar's Opera (Gay/Pepusch)
Tief im Herzen trag ich Pein  No 2 of Spanische Liebeslieder, Op 138 (Schumann)
'Tis spring; come out to ramble  First line to The Lent Lily, No 7 of Ludlow and Teme (Gurney)
'Tis time, I think, by Wenlock town  No 3 of Ludlow and Teme (Gurney)
'Tis woman that seduces all mankind (Filch/Peachum)  Act 1 No 5 Air 2, 'The bonny gray-ey'd morn' (Clarke) of The Beggar's Opera (Gay/Pepusch)
Trost 'An Elisa', D97 (Schubert)
Trost in Tränen, D120 (Schubert)
Und schläfst du, mein Mädchen  First line to Intermezzo, No 2 of Spanisches Liederspiel, Op 74 (Schumann)
Verschwunden sind die Schmerzen, D88 (Schubert)
Virgins are like the fair flower in its lustre (Polly/Peachum)  Act 1 No 14 Air 6, 'What shall I do to show how much I love her?' (Purcell) of The Beggar's Opera (Gay/Pepusch)
Von dem Rosenbusch, o Mutter  First line to Erste Begegnung, No 1 of Spanisches Liederspiel, Op 74 (Schumann)
Vorspiel  No 1 of Spanische Liebeslieder, Op 138 (Schumann)
Wann, erscheint der Morgen  First line to Melancholie, No 6 of Spanisches Liederspiel, Op 74 (Schumann)
Wann, wann erscheint der Morgen, wann denn!  First line to Melancholie, No 6 of Spanisches Liederspiel, Op 74 (Schumann)
Was zieht mir das Herz so?  First line to Sehnsucht, D123 (Schubert)
Weh, wie zornig ist das Mädchen  No 7 of Spanische Liebeslieder, Op 138 (Schumann)
Wenn, in des Abends letztem Scheine  First line to Lied aus der Ferne, D107 (Schubert)
When he holds up his hand (Lucy/Lockit)  Act 3 No 26, Air 55 'Ianthe the lovely' (Barrett) of The Beggar's Opera (Gay/Pepusch)
When I was one-and-twenty  No 6 of Ludlow and Teme (Gurney)
When smoke stood up from Ludlow  No 1 of Ludlow and Teme (Gurney)
When you censure the age (Lockit/Peachum)  Act 2 No 21 Air 30, 'How happy are we' (Barrett) of The Beggar's Opera (Gay/Pepusch)
When young at the bar you first taught me to score (Lucy/Lockit)  Act 3 No 2 Air 41, 'If love's a sweet passion' (Purcell) of The Beggar's Opera (Gay/Pepusch)
Wie kommt’s, dass du so traurig bist  First line to Trost in Tränen, D120 (Schubert)
Would I might be hang'd! (Lucy/Polly/Macheath/Jailer)  Act 3 No 34 Air 68, 'All you that must take a leap' (Ramondon) of The Beggar's Opera (Gay/Pepusch)
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