‘It’s always a coup when two internationally renowned soloists come together to play chamber music, and Steven Isserlis and Stephen Hough undoubtedly make quite the pair … Isserlis’s sound is always palpable, balanced perfectly by Hough’s articulate pianism’ (Limelight, Australia)» More

'In this first recording the opera makes a delightful discovery telling its gentle tale of a love triangle in the ancient poet's garden with typical Enlightenment grace. Anne Dennis, Agustin Prunell-Friend and Matthew Brooks are the genial singers. Williams conducts the OAE and its choir with bright-eyed energy and finesse.' (Financial Times)» More

‘The shortlisted finalists for this year's Recital Award typify this trend, and best of the distinguished crop is Jeffrey Skidmore and Carolyn Sampson's exposition of the career of Marie Fel’ (Gramophone)

‘Egarr on harpsichord matches Isserlis’s eloquence and rambunctious energy all the way’ (The Guardian)» More

‘Bostridge’s fans have no need to hesitate either, and the virtues of his distinctive Lieder-singing art are very much in evidence, even if the voice itself occasionally sounds a touch raw. There’s characteristic intelligence applied throughout, and a sense of every word having been mulled over and weighted accordingly’ (Gramophone)

'This beautifully prepared account of Bruckner’s Ninth Symphony was the Philharmonia’s contribution to a complete cycle of the composer’s symphonies performed by a variety of orchestras at the 2014 Salzburg Festiva … Dohnányi’s new recording is distinguished by the clarity with which it presents Bruckner’s score as well as the excellence of its sound' (Gramophone)

‘It's good that Loyset Compère is getting another chance as it were—especially with these fine secular songs … produced to Hyperion’s usual high standards, [this disc] includes texts and excellent translations as well as David Fallows' essay’ (MusicWeb International)» More

'This recording of the work’s premiere is notable for the degree to which all involved—especially the galvanising conductor Antonio Pappano and the properly operatic soloist Markus Butter—manage to convey so much of the music’s dramatic sweep as well as its symphonic substance' (Gramophone)

‘Both pieces are excellent examples of how far a composer can go on intuition, energy and talent alone’ (Gramophone)

‘The Choir of Westminster Abbey give solid, well-crafted performances … Onyx Brass play very well, with a wide range of dynamics, and many listeners may welcome their contribution … certainly, listeners can enjoy the dignity and grandeur of the sounds of choir, organ and brass ringing around the historic spaces of Westminster Abbey’ (Gramophone)

‘I await the next instalments with keen interest’ (Gramophone)

'A considerable performance in its own right. The Philharmonia plays very well for a conductor who they clearly and rightly esteem. The recording is good. The audience is commendably silent throughout and, happily, no applause is allowed to intrude at the end; rather, we can be left with our own thoughts' (MusicWeb International)