‘The recorded sound is warm and immediate. A fascinating concept album that genuinely does shine new light on both composers’ (Classical Ear)» More

'The posthumously published Symphoniae Sacrae collection contains the most magnificent music from Venice in the early 17th century. This choice selection includes, besides works such as the 14-part In ecclesiis and the 10-part Jubilate Deo, Hugh Keyte’s luxuriant reconstruction of the unfinished Quem vidistis pastores. Stephen Cleobury’s forces give opulent readings' (The Sunday Times)

'Gergiev and the LSO give thrilling live performances and one senses the rarely achieved, special connection between performers and Scriabin’s enigmatic sound-world' (MusicWeb International)

‘Ibragimova infuses the concertos with an improvisational freedom that is true to Bach's time, and Jonathan Cohen and the period ensemble Arcangelo supply an energetic accompaniment that gives the music vigor and interest’ (AllMusic, USA)» More

‘Markus Becker's performances of both sonatas on piano … show sympathy and commitment, and Reubke's ideas and expressions come across as genuine, thanks to Becker's avoidance of showiness, which is a difficult thing to pull off in such effusive works’ (AllMusic, USA)» More

'Steven Isserlis nærmer sig gambens udtryk ved at sætte tarmstrenge på sin cello I stedet for at bruge moderne stålstrenge—og ved at spille så elegant. Han er en virkelig delikat musiker' (DR P2 Klassisk, Denmark)» More

‘This is a powerful work of great individuality and distinction, and is here given a suitably masterful and breathtaking performance by Markus Becker’ (Gramophone)

‘It's a fantastic recording that'll leave your ears ringing rejoicingly’ (The Big Issue)» More

‘Practically all of the 12 singers of Ex Cathedra have challenging solo spots, every one of them producing an excellent sound and a clear understanding of such performance aspects as ornamentation. The chorus is similarly excellent. Jeffrey Skidmore is one of the most inspirational directors around, and his motivation produces extraordinary results’ (AndrewBensonWilson.org)

'It is probably superfluous to say that the performances by Tenebrae are top class—but they are' (MusicWeb International)» More

‘Alina Ibragimova plays with a lovely sense of freedom of the musical line, with attention to the little phrases and motifs that are the foundation of Bach’s extended musical lines. At times her playing can sound almost improvisatory, which suits the music perfectly. She has a light and delicate touch’ (AndrewBensonWilson.org)

‘Clein goes between and behind the notes to reveal a multi-layered sound world of unsettling semantic complexity. In her expert hands, Kodály's approximations of fife, clarinet and cimbalom come startlingly to life, making the explosive music that surrounds them feel all the more intimidating’ (The Strad)