'Once you get used to the close recording and the King’s Singers’ distinctive ‘barbershop’ sound, these performances are highly enjoyable, benefiting from the singers’ diffident and yet expressive approach' (Early Music Review)» More

‘Why these brilliant, melodically rich Lalo trios do not appear more often in concert remains the Sphinx’s very own riddle’ (Audiophile Audition, USA)

‘Mr Plowright is fully able to deal with the fiendish sounding technical demands in these interesting works and equally at home with the more peaceful sections … this is another splendid Romantic Piano Concerto disc from Hyperion’ (MusicWeb International)» More

‘Stephen Hough in all his brilliance is certainly a pianist to be heard unaccompanied. With about 50 albums under his belt, this latest is a must-have for piano lovers’ (Limelight, Australia)» More

„Die Solisten sind gut gewählt und beeindrucken mit einem affektreichen Singen, das diese Musik nicht nur verträgt, sondern geradezu verlangt. Auch der Ex Cathedra-Chor mitsamt Instrumentalensemble ist tadellos“ (Pizzicato, Luxembourg)» More

‘[Jack Liebeck's] tone is richly hued but at the same time supple and capable of finely shaded nuances of timbre’ (The Telegraph)» More

'Renowned for their recordings of Tallis and Bruckner, the Tenebrae Consort, drawn from Nigel Short’s equally celebrated Tenebrae Choir, here bring the same perfect technique and miraculous sense of ensemble to 22 instantly attractive songs and arrangements by Bob Chilcott … kick your shoes off, sit back and enjoy' (The Observer)

'An hour of exquisite singing … kick your shoes off, sit back and enjoy' (The Observer)» More

'Het is geen schande om toe te geven nog nooit van Henri Herz gehoord te hebben, maar dan ken je deel 35 uit de serie The Romantic Piano Concerto niet. Ook daarop spelen Howard Shelley en het Tasmaans Symfonie Orkest werk van hem en ze zijn nu in deel 66 bij hem teruggekeerd' (Pianist Nederland, Netherlands)

‘In terms of both the music and the performances this is a very fine disc’ (MusicWeb International)» More

‘The musicianly and sweet-toned British violinist Jack Liebeck is careful not to press either the substantial Serenade (1899) or Romance (1874) for more than they can yield, and makes sure nothing in the concerto sounds faded’ (The Irish Times)» More

‘Benjamin Nabarro, Gemma Rosefield and Tim Horton make a very convincing case for this trio of trios and the production … is up to Hyperion’s high standards’ (MusicWeb International)» More