‘[I] hope that these delightful, inventive performances presage a complete series of Mozart’s mature violin sonatas, with or without a smattering of childhood works’ (Gramophone)

'The CD reveals a meticulously integrated choir of mature abilities characterised by tonal delicacy and textual expressiveness' (Choir & Organ)» More

‘What courage must have been required to tackle these most nationalistic of all Smetana’s works, and what an accomplishment to present them not only lovingly but fairly bursting with character’ (Gramophone)

‘This latest volume of Tallis from The Cardinall’s Musick continues the fine form of its predecessors. Their interpretation of the English-texted works shows how effective these contrapuntally unassuming settings can be when sung with conviction’ (Gramophone)

'Bruce's piece pivots on the contrast between its elegaic first movement and the five dances that follow it, and Bliss and the Carduccis relish the expressive variety' (The Times)» More

„Cédric Tiberghiens Bartók-Aufnahmen haben eine fast hypnotische Wirkung … das ist alles ungemein spannend und absolut hinreißend“ (Pizzicato, Luxembourg)» More

‘I’ve enjoyed revisiting the performance through this fine new recording. There’s no doubt that the present performers make a very strong case for the work, which is never dull in their hands’ (MusicWeb International)

‘The Trinity College Choir is one of the very finest collegiate choirs in Britain and this disc offers further proof of their excellence’ (MusicWeb International)» More

«Steven Isserlis expurge la partition de sentiments pour en faire un grand moment de pure musique alors qu'a la tête d'un Philharmonia acéré et allégé, Paavo Järvi dynamique l'accompagnement orchestral. La musique d'Elgar sort dramatisée de cette lecture implacable et exemplaire par sa tension nerveuse» (Crescendo Magazine, Belgium)» More

«Steven Isserlis expurge la partition de sentiments pour en faire un grand moment de pure musique alors qu'a la tête d'un Philharmonia acéré et allégé, Paavo Järvi dynamique l'accompagnement orchestral. La musique d'Elgar sort dramatisée de cette lecture implacable et exemplaire par sa tension nerveuse» (Crescendo Magazine, Belgium)» More

‘Few pianists have championed Dvořák’s early concerto, so when a player of Hough’s calibre does, one takes notice … Hough could hardly have more sympathetic partners than the CBSO and Nelsons’ (The Sunday Times)» More

‘The singers reach the highest standards’ (The Observer)» More