13 September 2016
Audiophile Audition, USA, Gary Lemco
Beethoven: Piano Sonatas Opp 90, 101 & 106‘Osborne has become too rapt in his realization to allow any mere 'academic' principle to override his uncanny momentum. The scales, trills, and permutations of the theme proceed out of some illumined cauldron, a combination of cornucopia and witches’ brew’ (Audiophile Audition, USA)
» More12 September 2016
Classical Ear, Evan Dickerson
Stojowski & Wieniawski: Violin Concertos‘Bartłomiej Nizioł rises admirably to the challenges posed by these works with his ripe yet never over-succulent tone, tempered by focused vibrato and secure technique’ (Classical Ear)
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10 September 2016
Early Music Review, Brian Robins
Bach (CPE): Cello Concertos‘[These performances] are as technically near-flawless as it is possible to come and … the solo playing throughout owns to a rich tonal beauty evoking a bewitching sensuality’ (Early Music Review)
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10 September 2016
The Federation of Recorded Music News, Tony Haywood
Howells: Collegium Regale & other choral works‘I warmed immediately to the full sonorous tone that Layton gets from his singers … the inclusion of female voices really helps to give timbral variety’ (The Federation of Recorded Music News)
» More8 September 2016
Piano News, Germany, Robert Nemecek
Smetana: Czech Dances & On the seashore„In der brillanten wie populären Etüde 'Am Seegestade', dem böhmischen Gegenstück zu Liszts 'Il Sospiro', ist [Garrick Ohlsson] … ganz in seinem Element und lässt es plätschern und rauschen, dass es eine wahre Freude ist“ (Piano News, Germany)
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