‘Howard Shelley and the Tasmanian Symphony Orchestra are, by now, firm friends, and it’s thanks to his intimacy with every note of the orchestral score, as well as that of the piano part, that makes these readings so rewarding’ (Gramophone)

‘Turn to the enchanting final sonata in F K547, composed as a sunny relaxation away from the labours of the last three symphonies, and it is difficult to imagine this wonderful score more exquisitely played or radiantly engineered’ (BBC Music Magazine)

‘Buratto’s cohesive solidity deserves admiration and respect’ (Gramophone)

'One cannot dispute Donohoe’s high standards and musical intelligence, not to mention his superb and perceptive booklet-notes. I’m happy to have Donohoe on hand' (Gramophone)

‘[I would] recommend Alina Ibragimova with pianist Cédric Tiberghien as prime representatives of the numinous in Szymanowski's violin chamber repertoire’ (Gramophone)

'The choral sound is distinctive. Astringent countertenors pierce through sweet, rounded sopranos, and the whole is anchored by a wonderful breadth in the basses … Contrapunctus remain king in a very crowded market place' (Gramophone)

‘Guyot emerges from this disc as a marvellously fluent composer … the five adult men of Cinquecento—here joined by the countertenor David Allsopp—are, as always, absolutely flawless in the performance of this music. Even by the best standards of today their ensemble, balance and intonation are beyond reproach’ (Gramophone)

‘This is a reasoned assessment, at times a serious analysis, of a work of music that dances on the very cliff-edge of sanity. Buratto, wise beyond his years, is definitely a talent to watch’ (Musical Toronto, Canada)

‘Tiberghien, with his crystalline sonorities and pinpoint clarity of articulation, and Ibragimova gleefully savour their jousting dialogues and rapid role-reversals in the fast movements … Tiberghien and Ibragimova come close to my ideal Mozartian duo, in performances that further whet the appetite for the rest of the series’ (Gramophone)

'The sound of [the] very high sopranos [is] crystal clear, beautifully focussed, stable … excellently tuned voices that blend well with the rest of the consort' (AndrewBensonWilson.org)

‘These three very likeable chamber offerings by Max Bruch receive joyously assured treatment from the distinguished members of The Nash Ensemble on this truthfully engineered Hyperion release’ (Classical Ear)» More

'Eine Platte aus dem reichen musikalischen Leben eines der großen englischen College-Chöre: großartige Nachwuchsarbeit, mit einer aktuell sehr potenten Sopran-Generation … eine wirklich erfreuliche Einspielung' (Klassik.com, Germany)