'Das Programm endet mit der ‘Aladdin Suite’ aus der gleichnamigen dramatischen, farbigen und stimmungsreichen Bühnenmusik, die Paavo Järvi sehr dynamisch und lebendig gestaltet' (Pizzicato, Luxembourg)» More

‘Couperin’s three 'Tenebrae lessons' … [are] beautifully sung here by sopranos Katherine Watson and Anna Dennis’ (The Guardian)» More

‘Hamelin easily conquers any competitors with his technical brilliance and finger dexterity’ (Pianist)» More

‘This program [is] sumptuously sung by the male five-voice Cinquecento ensemble’ (CD Hotlist, USA)» More

'Sophie Bevan is highly successful … singing throughout with a gleaming tone and shaping lines with real sensitivity, but equally under the skin of the character she is portraying' (Early Music Today)

'Bevan has made her reputation with her pure lyric soprano … an interesting disc of lesser-performed arias dispatched with freshness and style' (Opera Now)

'The performance is very good. Stephen Cleobury has been conducting this work for decades, and knows what he is doing when it comes to shaping Bach’s great phrases' (MusicWeb International)

«Cédric Tiberghien frappe l’esprit par l’originalité de la démarche» (ResMusica.com, France)» More

‘The concert instrumental is most beautifully played by the strings, with loving attention given to every detail but with no sense of tip-toeing from note to note’ (Early Music Review)

‘L’Apothéose de Lully [is] captured with grace in Arcangelo’s playing … the sacred Leçons de ténèbres, sung with purity by sopranos Katherine Watson and Anna Dennis [reveal] another side to Couperin’s art’ (Financial Times)» More

‘[Borodin] finds persuasive advocates in the Goldner Quartet’ (BBC Music Magazine)» More

‘One of the particular delights of Cohen’s Arcangelo is the idiomatic continuo-playing of the lutenist Thomas Dunford … the soprano Katherine Watson gives a stylish, sensitive performance’ (Gramophone)