‘The Rheinberger Concerto sets off in a mood of confident pomp, its chest metaphorically puffed out, and Callaghan has the technical wherewithal to encompass all its challenges—from big chordal textures to glistening passagework—while the supremely gifted Ben Gernon coaxes terrifically colourful playing from the BBC Scottish SO’ (Gramophone)

‘This is music of great inventiveness, full of flights of imagination and no small degree of virtuosity … Plowright’s affection for this music is palpable at every turn and he’s given a warmly immediate recording’ (Gramophone)

‘I’ve always had a soft spot for Jonathan Plowright. I’ve been smitten by his albums of Bach transcriptions for Hyperion, his moving interpretations of Paderewski and now, equally bowled over by this colourful Suk release … Plowright continues to enlighten piano lovers with lesser-known composers; we may count ourselves lucky for his efforts!’ (Pianist)» More

‘Dariescu's playing is charming, shapely and precise … best of all, perhaps, is the ballet's crown jewel Pas de deux, which is sweeping in its emotional breadth’ (Gramophone)

‘The 'Hosanna' of the Mass is supremely inventive and worth the price of admission on its own, and the contrast between the two penitential motets and the brace of Song of Songs illustrates Vivanco's range most eloquently’ (Gramophone)

«Le groupe anglais ressuscite pratiquement le compositeur hongrois oublié depuis sa mort, principalement en raison de la campagne calomnieuse don’t il a été victime. Le résultat est un album essentiel pour tout mélomane passionné, ou même seulement curieux, qui se respecte.» (Ici Musique, Canada)

‘Jonathan Plowright mines the lyricism and melodic treasures of these wonderful pieces in compelling fashion. His technically assured, stylish and idiomatic performances will, I am certain, win these works many friends. The Potton Hall acoustic provides warmth and intimacy, and facilitates Plowright's multifarious colouristic range to perfection’ (MusicWeb International)» More

‘Hough avoids kitsch and brings to every piece his characteristic clarity, musical intelligence, wit, elegant phrasing, tasteful pedalling and an intoxicating kaleidoscope of expressive colours and moods to create an album which delights and surprises at every turn … listen to it as an entire recital album or dip in and out of it: you will be utterly charmed and transported’ (Interlude)

‘Each little gem sounds like the composer at the piano, testing a theme for possibilities, giving it alternate measures of lightness and weight, and then setting it aside to tinker with another passing thought. There is neither ego nor assertion in this account. It is exploratory, improvisatory, analytical, self-critical … [Osborne is] my kind of pianist’ (Ludwig Van, Canada)

‘[Jonathan Plowright] brings similar qualities of sometimes rugged power and Romantic weight as well as plenty of charm to Suk's attractive miniatures. If you only know the orchestral tone poems, treat yourself to Suk the pianist’ (BBC Record Review)

‘It goes without saying that the performances of the Orlando Consort here easily maintain the high performance standards of the previous instalments … over the last three or four years I feel blessed to have become acquainted with these superb Hyperion recordings of Machaut—it has been well worth the effort’ (MusicWeb International)» More

‘Unfailingly adroit and elegant, modulating from floridity to finer feelings and back again. Also, there’s nuance and a sure sense of style … something to tickle every taste-bud; bon appétit!’ (MusicWeb International)» More