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President Richard Rodney Bennett
Vice-Presidents |
Chairman Patrick Mills
Hon. Secretary
Hon. Treasurer
Hon. American representative |
![]() Peter Warlock |
Although Peter Warlock (Philip Heseltine) died in 1930, his magnetism is as potent as ever. Interest increases as more becomes known of his colourful life, and his extensive literary and musical writings.
Our Society, founded in 1963, has worked steadily to increase knowledge of his work. Annual events include a Birthday concert on or around 30 October, a jaunt to Ruddles Brewery, and to places with Warlockian legends. A Newsletter is published at least twice a year.
The main projects now are to publish a complete annotated Warlock edition and a pictorial biography.
We are pleased to help members to gain access to Warlock material. Please address enquiries, donations, and £10 annual subscriptions (students £5) to the Hon. Secretary, Mr Chris Sreeves, Jubilee Cottage, 30 The Hill Garsington Oxon OX44 9DG, Mobile: 07880 780484 email: chrissreeves@csreeves.freeserve.co.uk, or $20 ($10) to our Hon. American representative. Richard Valentine, Richard Valentine, 106 Malta Gardens Apartments, Mechanicville, New York, NY, USA, Tel: 12118, 001 518 858 9633, email: rich@richvalentine.com.
Registered Charity No 257041
Philip Heseltine/Peter Warlock, a man of many inter-connected talents was born in the Savoy Hotel, London, on 30 October 1894. A plaque at 30 Tite Street, Chelsea, commemorates the place of his death on 17 December 1930. His education was almost entirely classical: Stone House, Broadstairs (1904-1908), Eton (1908-1911), Christ Church, Oxford (1913-1914), and University College, London (Michaelmas 1914 one term only).
He received little formal musical training, being mainly influenced by other composers Delius, van Dieren, Quilter, Colin Taylor and the Elizabethans. He had deep poetic insight, with particular affinity for Yeats, his friend Robert Nichols, later in his life Bruce Blunt and, again, the Elizabethans. He was also strongly influenced by the Celtic culture, and studied Cornish, Welsh, Irish, Manx and Breton.
His musical activities fall fairly tidily into three periods. The earliest mature works were written in Ireland c1917-18, after which there was a lull in composition while he concentrated on journalistic activities. He was the editor of The Sackbut from 1920 to 1921.
The next three years were the most settled and prolific of his life. He returned to Cefn-Bryntalch, his family home in Wales, to complete The Curlew, to produce some of his finest songs, to make hundreds of transcriptions, and to write the Delius biography.
Again there was a lull while he negotiated with various publishers until he moved to Eynsford, Kent, in 1925. The following three years were the last really fruitful ones. After leaving Eynsford he was again involved mainly in journalistic activities, editing Milo, and organising the 1929 Delius Festival with Beecham. The few compositions of his last years were mostly due to his friendship with journalist and poet Bruce Blunt.
Altogether, within the space of two decades, he wrote about 150 songs, two dozen part-songs, a dozen items of vocal chamber music, and half a dozen instrumental works. His transcriptions number well over six hundred, some of them vast undertakings. His journalistic writing books, articles, prefaces, reviews, and programme notes, amount to around 300,000 words.
For fuller details see p.921 of No.1 1996 of The Classical Catalogue (pub. The Gramophone)
There are also 16 other recordings of Capriol for string orchestra, three for full orchestra, and an arrangement for Mandolin ensemble (ACOU CDAC50250)