The Rutland Boughton Trust
![[Photo of Boughton]](boughton.jpg) |
| Rutland Boughton, c1923 |
Rutland Boughton (1878-1960), a pupil of Stanford at the Royal College of
Music in London, first became known as a composer of orchestral and choral
music. But opera was his real love and in 1914 he established the first of
his Glastonbury Festivals in order to provide a platform not only for his
own operas but for any music that accorded with his artistic ideals. The
Festivals continued with increasing success and sophistication until 1926,
by which time he had mounted over 300 staged performances and 100 chamber
music concerts, besides related lectures, exhibitions, and a series of
innovative summer schools. In 1922 his opera The Immortal Hour was
produced in London where it enjoyed a phenomenal success, setting a still
unbroken world record for the longest continuous run of any opera. It was
followed by notable London productions of Bethlehem and Alkestis. After
Glastonbury, Boughton took up residence in Gloucestershire to complete the
cycle of five Arthurian music dramas he had begun in 1908, and to hold
further festivals at Stroud (1934) and Bath (1935). It is only in recent
years that the true measure of his originality and importance has begun once
more to be appreciated.
The Rutland Boughton Trust (registered charity No 27601/ACL) exists to
promote the music of Rutland Boughton by encouraging live performances and
sponsoring recordings. Three such recordings are currently available, all on
Hyperion: the operas The Immortal Hour on Hyperion CDA66101/2, and
Bethlehem (CDA66690); and Symphony No 3 and Oboe Concerto No 1 (CDA66343).
Other recordings are planned as and when funds become available.
For further information about the composer and the Trust please write to:
Ian Boughton MIAM, Administrator, The Rutland Boughton Music Trust, 25 Bearton Green, Hitchin, Herts SG5 1UN, England, tel 01462 434318, Mobile: 07703 584152
The Rutland Boughton Music Trust