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Hyperion Records

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Track(s) taken from CDD22045
Recording details: May 1994
All Saints' Church, East Finchley, London, United Kingdom
Produced by Martin Compton
Engineered by Antony Howell
Release date: February 1995
Total duration: 4 minutes 37 seconds

'Superbly recorded. Highly recommended and unlikely to be surpassed in the near future' (The Penguin Guide to Compact Discs)

'The commanding nature of these performances, captured in sound of tremendous presence, cannot be denied. Nicholson captures a Handelian dignity and grandeur often forgotten, in the frenzy that informs many interpretations aspiring to authenticity… Magisterial performances of majestic music' (Classic CD)

Fugue or Voluntary No 4 in B minor, HWV608
1716/7; published 1735

Introduction  EnglishFrançaisDeutsch
Fugue No 4 in B minor manifests Handel’s characteristic response to a key significant to the Classical Baroque age in that it symbolized harsh reality and purgatorial suffering and saw through the pomp associated with D major, its relative. Handel, in the years before the Enlightenment, used it infrequently; this fugue is more curious than superb, opening with a falling fifth which periodically returns as a refuge from chromatic incertitudes, including a passage in rising sequences. But what most salvages rational man from irrational (B minor) peril is the consistent figuration in the rhythm of three quavers followed by two semiquavers. This metrical nagging may be meant to be affirmative, but tends to wear us down. After a long dominant pedal to approach the final cadence, Handel releases himself and us in a quasi-vocal cadenza.

from notes by Wilfrid Mellers © 1995

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