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Hyperion Records

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Track(s) taken from CDD22045
Recording details: May 1994
All Saints' Church, East Finchley, London, United Kingdom
Produced by Martin Compton
Engineered by Antony Howell
Release date: February 1995
Total duration: 25 minutes 31 seconds

'Superbly recorded. Highly recommended and unlikely to be surpassed in the near future' (The Penguin Guide to Compact Discs)

'The commanding nature of these performances, captured in sound of tremendous presence, cannot be denied. Nicholson captures a Handelian dignity and grandeur often forgotten, in the frenzy that informs many interpretations aspiring to authenticity… Magisterial performances of majestic music' (Classic CD)

Suite No 3 in D minor, HWV428
composer
published in London in 1720 as part of a set of Suites de pièces pour le clavecin

Prelude  [1'04]
Allegro: Fugue  [3'06]
Allemande  [4'46]
Courante  [2'03]
Presto  [5'04]

Other recordings available for download
Danny Driver (piano)
Introduction  EnglishFrançaisDeutsch
Suite No 3 in D minor has a prelude which is a wildly whirling toccata with a dotted-rhythm subject in which the dots may or may not be reiterated throughout the entries. A dotted-rhythmed allemande reminds us that Charpentier had described the key of D minor as ‘grave et dévot’; and a certain wistfulness, if not gravity, is preserved in the Italianate corrente. But the next movement abandons the format of a conventional suite, being an air with variations. The air itself, like that of Bach’s ‘Goldberg’ Variations, is richly ornamented, and approaches Bachian sublimity. The five variations, however, eschew this old-world formal and spiritual grace, simply taking over the air’s harmonic base and adding lyrical semiquavers for the right hand. The second variation inverts this, placing the chord sequence in the right hand, the semiquavers in the left. The third variation has melodic but sturdily metrical parts for treble and bass which define the fundamental harmonies, leaving the semiquavers to form a middle part. The fourth variation jigs the tune in 12/8, and the fifth and final variation, in broken chords, is the plainest but also the most energetic. Unlike Bach, Handel does not return to his seraphically ornate aria but whisks this climactic variation into a final presto in 3/8, aggressive in muscularity, its thrust reinforced with trills.

from notes by Wilfrid Mellers © 1995


Other albums featuring this work
'Handel: The Eight Great Suites' (CDA68041/2)
Handel: The Eight Great Suites
MP3 £15.49FLAC £15.49ALAC £15.49Buy by post £20.00 Studio Master: FLAC 24-bit 88.2 kHz £23.25ALAC 24-bit 88.2 kHz £23.25 CDA68041/2  2CDs   Studio Master FLAC & ALAC downloads available
'Edwin Fischer – The First Beethoven Sonata Recordings' (APR5502)
Edwin Fischer – The First Beethoven Sonata Recordings
MP3 £6.99FLAC £6.99ALAC £6.99 APR5502  Download only  

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