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Hyperion Records

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Track(s) taken from CDD22024
Recording details: June 1993
Wigmore Hall, London, United Kingdom
Produced by Ates Orga
Engineered by Ken Blair
Release date: October 1993
Total duration: 16 minutes 26 seconds

'All these performances are a marvel of the most concentrated pianism, musical thought and emotion … sound and presentation are fully equal to a very special occasion' (Gramophone)

'Here, captured all too rarely even in live recordings, is the raptly magical concentration exceptional to the adrenalin of a concert. Utter finesse, exquisite control of tone colour and sharply intelligent empathy. The Vorisek is breathtakingly beautiful' (BBC Music Magazine)

'All-encompassing mastery … first rate' (American Record Guide)

Andante and variations in F minor 'Sonata, Un piccolo divertimento', Hob XVII:6
composer
1793; Vienna; written for Barbara von Ployer; first published in 1799 with a dedication to Baroness von Braun

Other recordings available for download
Marc-André Hamelin (piano)
Angela Hewitt (piano)
Gottlieb Wallisch (piano)
Ignacy Jan Paderewski (piano)
Wanda Landowska (piano)   October 2014 Release
Introduction  EnglishFrançaisDeutsch
Haydn composed the Sonata ‘Un piccolo divertimento’ (Variations in F minor), in Vienna in 1793 for the talented pianist Barbara (‘Babette’) von Ployer, for whom Mozart had written the concertos K449 and K453. This profoundly felt music vies with the Andante of the ‘Drumroll’ Symphony as Haydn’s greatest set of alternating minor–major variations. After the stoic melancholy of the F minor opening, with its gently insistent dotted rhythms, the ornate F major theme exudes a kind of whimsical, abstracted playfulness. Haydn originally ended with the second F major variation and a few bars of coda. He subsequently appended a reprise of the F minor theme and a long, disturbingly chromatic coda that draws unsuspected force from the pervasive dotted rhythms before dissolving in a feverish swirl of arpeggios. After a measure of equilibrium is restored, the dotted rhythms toll deep in the bass, like a funeral knell. Haydn was the least confessional of composers. But it is not far-fetched to suggest, as several commentators have done, that the tragic intensity of the coda may have been prompted by the sudden death of Maria Anna von Genzinger, at the age of forty-two, on 26 January 1793.

from notes by Richard Wigmore © 2009


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