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Hyperion Records

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Greta Bridge by John Sell Cotman (1782-1842)
Norwich Castle Museum and Art Gallery
Track(s) taken from CDD22027
Recording details: February 1989
St George's, Brandon Hill, United Kingdom
Produced by Andrew Keener
Engineered by Bob Auger & Stuart Smith
Release date: August 1989
Total duration: 4 minutes 38 seconds

'Music, its performance, and its recording, of the highest class' (Gramophone)

'This set should be on the shelf of every teacher and serious student of the clarinet' (American Record Guide)

'The recording is outstandingly truthful. A splendid record' (The Monthly Guide to Recorded Music)

'I don't think I have ever heard a more convincing recorded account of the instrument so superbly played here by Thea King' (Hi-Fi for Pleasure)


Pastoral  [4'38]

Bliss’s Pastoral for clarinet and piano was written either in December 1916 or in January 1917 during his military service, and the first performance took place on 17 February 1917. Originally Pastoral formed the second of two pieces, the first being Rhapsody. Pastoral was published in 1980, but the music of Rhapsody has never been published and the whereabouts of the original manuscript remain unknown. Pastoral is therefore one of Bliss’s earliest surviving works. Tonally, it is centred on D. Such a key, as always in Bliss’s music, is not rigidly adhered to: soon the long, arching clarinet theme which begins the piece hints at broader tonal regions. A secondary idea on the piano, marked ‘grazioso’, begins in a clear C major, although that too is not held for long as the clarinet takes up the new idea (with an important triplet insertion), again stretching the tonality. An extended piano passage leads to a quiet 6/8 aspect of the second subject. The 3/4 returns at the passionate climax before the piano ushers in the final part, Tempo primo, a gentle restatement of the long initial theme which now reveals its affinity with the second subject. Gradually the music winds to a pianissimo close, the bare fifth D–A leaving the mode unresolved.

from notes by Howard Ferguson and Robert Matthew-Walker 1997

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