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Hyperion Records

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Romantic Landscape (1860) by Antal Ligeti (1823-1890)
Magyar Nemzeti Galéria, Budapest / Bridgeman Art Library, London
Track(s) taken from CDA67085
Recording details: November 1999
St George's, Brandon Hill, United Kingdom
Produced by Andrew Keener
Engineered by Tony Faulkner
Release date: November 2000
Total duration: 6 minutes 53 seconds

'At last, Hough tackles Liszt’s Sonata on record and the result is as musicianly as this fine pianist’s admirers might expect' (Gramophone)

'Hough transforms the rumbling, chromatic bass line [Ballade No 2] into an almost terrifyingly atmospheric setting' (BBC Music Magazine)

'[A] beautifully rendered collection … the wonderful refinement and quiet poetry of his playing is a constant joy. A highly distinguished disc' (The Guardian)

‘This is a superlative recording, one that defies criticism. Hough’s pianism is evocative, spiritual, and technically and tonally scrupulous. What better compliment could be given than to say that this is the way one imagines these pieces might have sounded when Liszt himself played them? Recorded sound is ideal, and an excellent, detailed booklet adds to the value of this outstanding release’ (American Record Guide)

'Hough at his meticulous best' (Classic FM Magazine)

'Thoughtful, intelligent, and beautifully recorded too – a special release' (CDReview)

Ballade No 1 Le chant du croisé – Première Ballade, S170
composer
1845/8; in D flat major

Other recordings available for download
Leslie Howard (piano)
Introduction  EnglishFrançaisDeutsch
Composed between 1845 and 1848 (i.e., before Chopin’s death), the Ballade No 1 is a sadly underrated work. The subtitle ‘Le chant du croisé’ (‘croisé’ means ‘crusader’ rather than ‘cross’) suggests an underlying narrative that Liszt declined to elaborate further, but the work is an evocation of the period of the Crusades (which given Liszt’s Catholicism is an apt subject). The initial rising motif alludes strongly to the opening of Chopin’s First Ballade, a debt that must have been conscious on Liszt’s part, while the answering idea is a scherzo-like gesture that seems to confirm the key of D major. The main body of the work, however, is cast as a set of character variations on the crusader’s ‘song’ in D flat major, with a joyfully heroic march as a middle section, replete with ‘rapido con bravura’ scales and other virtuoso intricacies.

from notes by Tim Parry © 2000


Other albums featuring this work
'Liszt: The complete music for solo piano, Vol. 2 – Ballades, Legends & Polonaises' (CDA66301)
Liszt: The complete music for solo piano, Vol. 2 – Ballades, Legends & Polonaises
'Liszt: Complete Piano Music' (CDS44501/98)
Liszt: Complete Piano Music
MP3 £160.00FLAC £160.00ALAC £160.00Buy by post £200.00 CDS44501/98  99CDs Boxed set + book (at a special price)  

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