The third strain starts on the chord of F major, emphasizing the Mixolydian mode. For some reason there appears to be no galliard associated with this or the next work. Being a ‘16-bar’ pavan, running to 96 semibreves, Byrd cannot have intended any association with the unattached galliard in the same Mixolydian G major (BK77). In any case, the absence of a galliard in the authoritative Nevell source would virtually forbid our linking one with it. This pavan is one of Byrd’s most concentrated and demanding works, with a particularly rich harmonic language and an unusually plangent treatment of dissonance.
from notes by Davitt Moroney © 1999
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