Please wait...

Hyperion Records

Click cover art to view larger version
Phoenix. A glass window specially designed, made and photographed by Malcolm Crowthers.
Track(s) taken from CDS44461/7
Recording details: March 1992
Ingatestone Hall, Ingatestone, Essex, United Kingdom
Produced by Edward Kershaw
Engineered by Mike Hatch
Release date: September 1999
Total duration: 7 minutes 19 seconds

Fantasia, BK62
composer
Weelkes (No 66), FVB (No 261). [Neighbour, ‘Fantasia G2’ p 232]

Fantasia BK62  [7'19]

Other recordings available for download
Davitt Moroney (organ)
Introduction  EnglishFrançais
Thomas Tomkins included this work (‘A Fantasi of Mr Byrdes in gamut’) on one of his lists of Lessons of worthe. On another list of Byrd’s finest keyboard compositions he refers to it as ‘his old Fancy’ and, indeed, its structural features indicate that it probably dates from the 1560s. Weelkes is the best of the four sources. Byrd’s fancy is a perfect example of the traditional English fancy where the composer changes theme when he is ready to move on, arranging contrasted sections and gradually increasing movement throughout the work. It is his most extended work in fantasia form, and the majestic length of the opening point of imitation serves well to prepare the listener for the large scale of the piece. It would no doubt be a misnomer to call this imitative keyboard polyphony the ‘old style’ for when Byrd wrote it (to borrow Anthony Newcomb’s nice phrase) the stilo antico was ‘still young’. This fancy uses the full range of the keyboard in a most brilliant fashion, reserving the lowest note, C, for the very end. It is splendidly sonorous on the organ, but on the harpsichord (and at higher pitch) it has a livelier, if somewhat less noble, character.

Peter Philips wrote an extended Fantasia based on his teacher’s theme (FVB, no. 84), but it follows continental models by being entirely monothematic (even rather doggedly so, with rather earnest diminutions and augmentations of the theme). It was no doubt through Philips that Pieter Cornet got the theme for his own work based on the same melody.

from notes by Davitt Moroney © 1999

Show: MP3 FLAC ALAC
   English   Français   Deutsch