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Hyperion Records

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Track(s) taken from CDA67438
Recording details: February 2004
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Release date: April 2004
Total duration: 4 minutes 0 seconds

'Monteverdi is one of those composers who really does merit a complete recording of his output. The sacred works have been a little neglected, and this splendid new series, with its informed and intelligent booklet notes, is putting things right' (BBC Music Magazine)

'… there are joys here to melt icebergs … I want Volume 3 immediately' (The Times)

'Sumptuous surround sound and full-blooded performances from Robert King and Co. combine to thrilling effect in the second release in their fabulous Monteverdi cycle' (Classic FM Magazine)

'Where this new disc really comes into its own is in the small-scale motets, where King's outstanding roster of soloists would be exceedingly difficult to better … The rarely performed motets alone should ensure the present disc its place in any Monteverdi collection, while John Whenham's notes prove as valuable an asset as those Michael Talbot provided for King's Vivaldi sacred music traversal' (Fanfare, USA)

'I'll say it straight out: the result is truly exciting! The music is magnificent, and so is the interpretation … The architecture of the programme is particularly remarkable, and the album is built on balance, variety, contrast' (Goldberg)

'This is an absolutely crack team of soloists, all of whom are completely at home in Monteverdi's idiom. The tenors in particular luxuriate in the ornamental roulades …' (Early Music)

'En effet, c'est avec un tact et une finesse sans précédent que King mène son corpus instrumental … La douceur séraphique de Sampson et Outram dans le Venite, Siccientes n'a d'équivalent que la parfaite maîrise de la diction, des sons enflés et de la souplesse de ces voix' (Classica, France)

Currite populi a voce sola e B.c.
composer
Ghirlanda Sacra (1625)
author of text

Introduction  EnglishFrançaisDeutsch
This motet for solo tenor and continuo was published in a volume entitled Ghirlanda Sacra (1625) compiled by Leonardo Simonetti, a singer at St Mark’s, Venice. It is one of Monteverdi’s happiest inventions, beginning in a rapid triple time suggesting people hurrying to sing the melodious ‘alleluia’ that then follows in honour of the saint whose day is being celebrated. The two parts of this refrain are then used to punctuate the verses announcing the saint’s name, praising him, and petitioning him to hear the people’s prayer, before being coupled together again to end the piece. This is an all-purpose motet: in the text, the saint’s name is left blank for the choirmaster to fill in as appropriate to the Feast being celebrated.

from notes by John Whenham © 2004

Other albums featuring this work
'Monteverdi: The Sacred Music, Vol. 2' (SACDA67438)
Monteverdi: The Sacred Music, Vol. 2
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