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Hyperion Records

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Track(s) taken from CDA66644
Recording details: January 1996
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Produced by Ben Turner
Engineered by Philip Hobbs & Lindsay Pell
Release date: March 1993
Total duration: 6 minutes 18 seconds

'Every number brings new riches, and two have never been recorded before. Indeed, 'The Way of God' is a revelation' (BBC Music Magazine Top 1000 CDs Guide)

'This disc is full of the wonderful writing that we expect from Purcell … that is becoming better known and understood through Robert King's performances' (Fanfare, USA)

'Every number brings new riches and two have never been recorded before. This magnificent project shows no signs of flagging' (BBC CD Review)

Lord, what is man?, Z192
1693; Harmonia Sacra 2
author of text

Introduction  EnglishFrançaisDeutsch
William Fuller’s ‘divine hymn’ Lord, what is man? was set by Purcell during 1693, and published in volume 2 of Harmonia Sacra – the volume which also contains ‘The Blessed Virgin’s Expostulation’. Like that work, Lord, what is man? begins with an extended passage of semi-recitative, full of intricate vocal touches and subtle harmonic emphasis. The opening question is first asked gently, then repeated with more anxiety, the singer amazed that the son of God should become (with a wonderfully crafted melodic phrase) ‘a poor tormented man’. Man is ‘lost’ at the lower end of the singer’s voice, the Son of God’s glory rises optimistically through the scale, only to ‘become a poor, tormented man’. The Deity is graphically ‘shrunk’ into a human lifespan, and ‘wondrous love’ blossoms magnificently. The singer calls on the ‘glorious spirits’ to say ‘which was more prevalent’ – their joy, pictured in a fine melisma, or the dropping interval that represents their astonishment. The contrast between the ‘worm’ that is man and the exalted position of God is vividly captured in the music.

An arioso section follows, calling for a quill ‘to write the praises’, and then, with Purcell inspired as ever at the mention of music, for ‘a voice like yours to sing that anthem here which once you sung’. An extended section of alleluias closes the work: the compelling variety of moods and phrases create such an inexorable momentum that it is easy to forget Purcell is setting just one word.

from notes by Robert King ©

Other albums featuring this work
'Purcell: The Complete Sacred Music' (CDS44141/51)
Purcell: The Complete Sacred Music
MP3 £35.00FLAC £35.00ALAC £35.00Buy by post £40.00 CDS44141/51  11CDs Boxed set (at a special price)  
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