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Track(s) taken from CDA66850

Iubilate Deo

from Reliquiae sacrorum concentuum (1615)
author of text
Based on Psalm 99 (100)

Westminster Cathedral Choir, James O'Donnell (conductor)
Recording details: June 1995
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Produced by Mark Brown
Engineered by Antony Howell & Julian Millard
Release date: February 1996
Total duration: 5 minutes 13 seconds

Cover artwork: The Coronation of the Virgin by Fra Giovanni da Fiesole (d1455)

Other recordings available for download

The Cambridge Singers, La Nuova Musica, John Rutter (conductor)


'The answer to many prayers; a blockbusting survey of choral masterpieces performed by a choir of exceptional calibre' (Classic FM Magazine)

'For anyone eager to sample varied music from the Golden Age of polyphony this is a perfect disc' (Classic CD)

'If ever a programme was right up a choir's street, then this is it! From the fanfare-like opening of Exultate Deo and its soul-mates by Viadana, Gabrieli, Byrd and Monteverdi, through the linear beauties of Ave verum corpus (as set by Byrd and Philips) and Parsons' Ave Maria, the imploring devotion of Lotti's incomparable Crucifixus and the serenity of Tallis's O nata lux, all is brought glowingly alive. A real joy' (Organists' Review)
Like his uncle Andrea, Giovanni Gabrieli’s last and most important post was as organist of S. Marco in his native city of Venice. Prior to this, he held a court post in Munich. Once appointed to S. Marco in 1585, he composed prolifically for the lavish vocal and instrumental resources available to him there, generally dividing his forces into cori spezzati, multiple choirs spaced apart; many of his motets were written for the great festivals of church and state for which Venice was renowned. Following the death of Doge Grimani in 1605, there were cutbacks in the musical establishment at S. Marco, and Iubilate Deo, written in a fairly simple chanson- and madrigal-influenced style for single choir, would seem to belong to this post-1605 period. It did not appear in print until shortly after Gabrieli’s death, in three separate collections published in Germany (where the composer’s reputation was honoured more than in Italy). Although untypical of Gabrieli in the sense that it is not polychoral, Iubilate Deo is one of his most attractive and often-performed works. Its text is compiled mainly from the psalms, in the manner of a litany. Gabrieli made two other settings of the same text, which suggests that it was associated with a regular Venetian festival such as the Feast of the Ascension. The climax of this ceremony involved the Doge casting a ring into the sea as a symbol of Venice’s union with it; this would explain the inclusion of the line ‘Deus Israel conjungat vos’ (taken from a nuptial blessing in the Vulgate version of the Book of Tobit).

from notes by Collegium Records 2009

Other albums featuring this work

The Sacred Flame
COLCD134Download only
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