Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Click cover art to view larger version
Track(s) taken from CDA67523

La chanson des blondes

First line:
Provençaux, le soleil d'ici
composer
1873; à Henri Regnier
author of text
1874; Poèmes de Provence

John Mark Ainsley (tenor), Graham Johnson (piano)
Recording details: August 2004
All Saints' Church, East Finchley, London, United Kingdom
Produced by Mark Brown
Engineered by Julian Millard
Release date: June 2006
Total duration: 3 minutes 27 seconds
 
1

Reviews

'A disc to treasure' (BBC Music Magazine)

'John Mark Ainsley understands the idiom of these beguiling songs and delivers them with grace, fluency and clear diction … Graham Johnson's playing is as vivid and piquant as his booklet notes. A delectable disc' (The Daily Telegraph)

'Ainsley—urbane, sexy and witty throughout—is at his absolute best' (The Guardian)

'Graham Johnson is quite literally changing the way we hear French mélodie. What a voyage to be invited to join!' (International Record Review)

'How does Graham Johnson do it? Once again, he has explored territory that few today have even considered worthy of investigation, and once again, he has come up with an extraordinary CD' (Fanfare, USA)

'One of the finest examples of Gallic song performance' (MusicWeb International)

'Comme toujours, John Mark Ainsley touche à la perfection tant par le style que pour son impeccable diction, et Graham Johnson poursuit en maître artisan son indefatigable exploration du monde du lied et de la mélodie' (Diapason, France)
This song has the subtitle Ronde provençale and was composed in 1873. The writer Jean Aicard (1848–1921) was a friend of the composer and he introduced Provençal themes into Parisian literary life, above all with his later invention of the fantastic figure of Maurin des Maures, a kind of Robin Hood of the French south. La chansons des blondes appears in Aicard’s Poèmes de Provence (1874), a book adorned with an illustration of a cicada and the rubric Tout l’été. The song’s title is deceptive—this is no hymn to Aryan femininity. Provence is famous for its olive-skinned women, but this song celebrates other aspects of provencal life—wine, oil, the perpetually chirping cicada and the sea glinting in the sunlight. Much later, in 1907, Paladilhe wrote a song cycle, La chanson de l’enfant, to Aicard’s words.

from notes by Graham Johnson © 2006
English: Richard Stokes

Waiting for content to load...
Waiting for content to load...
Search

There are no matching records. Please try again.