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Hyperion Records

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Tyrolean Girl Contemplating a Crucifix (detail) (1865) by Rudolph Friedrich Wasmann (1805-1886)
Hamburger Kunsthalle, Germany / Bridgeman Art Library, London
Track(s) taken from CDA67558
Recording details: July 2005
St John's College Chapel, Cambridge, United Kingdom
Produced by Mark Brown
Engineered by Julian Millard
Release date: May 2006
Total duration: 3 minutes 37 seconds

'Outgoing, excitingly resonant, spirited singing' (Gramophone)

'I doubt that you would find a better performance of Mendelssohn's sacred choral music than this. Finely executed with immaculate phrasing sensitively performed, it is clear that David Hill is leading the choir of St John's to even greater heights while it maintains its own highly individual sound. The whole production is worthy of the highest praise' (Choir & Organ)

'This is one special record' (American Record Guide)

'Some lovely—indeed memorable—performances here; including a gorgeous account of Mendelssohn's richly opulent Ave Maria, Op 23 No 2 (Allan Clayton the wonderfully yearning tenor soloist) and a gloriously magisterial Warum toben die Heiden? from Op 78 … Quentin Beer is an impressively clear and pure-voiced treble in that most famous of all treble solos—O, for the wings of a dove … the recording is a triumph. Hyperion has come up with a far more rewarding sound than either Decca or Naxos was ever able to achieve at St John's' (International Record Review)

'The Choir of St John's College, Cambridge, under David Hill, simply outsings all the current competition in sacred music by Mendelssohn' (Fanfare, USA)

Richte mich, Gott, Op 78 No 2
composer
1843/4
author of text
Psalm 43

Other recordings available for download
Corydon Singers, Matthew Best (conductor)
Introduction  EnglishFrançaisDeutsch
The setting of Richte mich, Gott (Psalm 43) exchanges the double chorus of Warum toben for a single four-voice choir, and is noticeably simpler in outline. Following the stern contours of the D minor opening section, characterized by the male voices in unison alternating with the female choir in four-part harmony, the move to the relative major (F) at the words ‘Sende dein Licht’ soars away to uplifting effect. The following 3/8 andante reverts to the atmosphere and textures of the opening section before the final verses resolve former tensions in the warm glow of a D major chorale.

from notes by Julian Haylock © 2006


Other albums featuring this work
'Mendelssohn: Choral Music' (CDH55268)
Mendelssohn: Choral Music
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55268  Helios (Hyperion's budget label) — Last few CD copies remaining  

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