The
Sixth Nocturne is one of Fauré’s most celebrated works and its sublime perfection is revered by all who know it. The longest of the series, it dates from about 1894, that is shortly after
La Bonne Chanson with which it shares the same rapturous expression. The basic A–B–A form favoured by Fauré for the Nocturnes is here extended by an extra episode before the final return of the languorous and miraculously beautiful opening theme.
from notes by Ted Perry © 1999