Please wait...

Hyperion Records

Click cover art to view larger version
A View of the Nile above Aswan by Edward Lear (1812-1888)
Sotheby’s Picture Library
Track(s) taken from CDA67250
Recording details: February 2001
Walthamstow Assembly Halls, London, United Kingdom
Produced by Martin Compton
Engineered by Tony Faulkner
Release date: November 2001
Total duration: 9 minutes 31 seconds

'Another exemplary addition to Handley's absorbing Bantock series … Hearty thanks to all involved in this enterprising labour of love' (Gramophone)

'The heady soundscapes and chromatic opulence all make for a good wallow … gorgeous from start to finish' (The Guardian)

'His orchestration is fabulously colourful, his melodies strong and memorable, and his sense of drama would make Hollywood composers envious … Caristiona is hauntingly beautiful, Omar Khayyam is full of exotic allure (with real camel bells), and Thalaba may be hokum, but of the best quality. Stunning performances' (Classic FM Magazine)

'Another fine addition to the Bantock discography' (Fanfare, USA)

Caristiona
composer
28 November 1920; subsequently re-orchestrated in 1944 as part of Two Hebridean Sea Poems

Caristiona  [9'31]

Introduction  EnglishFrançaisDeutsch
Marjory Kennedy-Fraser published her first volume of Hebridean songs in 1907 and Bantock was hooked almost from the start. He was particularly involved in the compilation of her second volume which was published in 1917, and to which he contributes a high-flown and ecstatic introduction describing a visit to the islands in summer. Bantock used these tunes in various works, notably his Hebridean Symphony first performed in 1916, and his chamber opera The Seal Woman first seen in Birmingham in 1923.

Caristiona is a setting for small orchestra of the song of the same name from Kennedy-Fraser’s second volume. Caristiona is noted as collected by Frances Tolmie with words collected by Kenneth Macleod, and Bantock prefaces his score with Macleod’s summary of the story.

The Lady of Clanranald sat on the shore of Moydart watching the setting sun, and as she watched, she saw with the keen eye of a mother’s love and a mother’s pain, two ships sailing through the Western Sea. From the one, though sailing seaward, came the sounds of harping and of song, and of a bride’s laugh that was sweeter than both – while from the mast-top waved the Clanranald badge, a spray of purple heather, fresh with the bloom of the hillside. From the other ship, though sailing homeward, came the sound of the croon and the keening for the dead – the bride of yesterday – the one-no-more of tonight – while from the mast-top drooped and withered a spray of purple heather.
Behind the Bens of Rûm the sun had set, but the Lady of Clanranald sat on the shore of Moydart, wailing a mother’s wound to the night and the sea.
O Caristiona – answer my cry –
No answer tonight – the wound! The wound!
But only the night-hag answered, and the far-away keening of the western sea.

Bantock’s manuscript is dated ‘Birmingham 28 November 1920’, but was later revised and re-orchestrated in January 1944, with Bantock’s orchestral setting of The Sea Reivers, as Two Hebridean Sea Poems in response to Sir Henry Wood’s invitation for a work for the 1944 Proms. Here we play the original version for a small orchestra of double wind, four horns, trumpet, harp, percussion and strings.

from notes by Lewis Foreman © 2001

Other albums featuring this work
'Bantock: Orchestral Music' (CDS44281/6)
Bantock: Orchestral Music
MP3 £30.00FLAC £30.00ALAC £30.00Buy by post £33.00 CDS44281/6  6CDs Boxed set (at a special price)  
Show: MP3 FLAC ALAC
   English   Français   Deutsch