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Hyperion Records

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The Adoration of the Magi (tapestry made by William Morris & Co) by Sir Edward Burne-Jones (1833-1898)
Hermitage, St Petersburg, Russia / Bridgeman Art Library, London
Track(s) taken from CDH55443
Recording details: February 2001
St Paul's Cathedral, London, United Kingdom
Produced by Mark Brown
Engineered by Julian Millard
Release date: January 2002
Total duration: 3 minutes 37 seconds

'Luminous with a sense of goodness and well-being, brightest and best of choral records for the last many months … a distinguished record' (Gramophone)

‘Fascinatingly diverse anthology … a tonal brightness and rhythmic vitality that sparkle with festive brilliance’ (BBC Music Magazine)

‘This series is the richest treasure trove an Anglican musician or English choral buff could hope to find. Texts and notes are an Anglophile’s dream. Sound is stunningly rich and ringing’ (American Record Guide)

‘The eclectic and thoughtful repertoire mix make for compelling listening … warmly recommended’ (Classic FM Magazine)

‘The choral tone is pleasant, the soloists are well chosen, and the recorded balance keeps everything in perspective’ (Fanfare, USA)

'Hurrah for John Scott and St Paul's, who with this wonderful CD remind all how glorious the Epiphany repertoire is … every piece is approached as if it were the finest thing ever written, and joy is taken in rendering the simple beautiful … let us rejoice at the richness of this programme' (Organists' Review)

‘Seventy-two minutes of utter bliss. This is a disc of St Paul’s and the Hyperion team at their best. Organ and choir make an impact and what a magnificent sequence of music! … this is one of the finest discs I have heard in a long time and I have not stopped playing it’ (Cathedral Music)

‘There is much of merit here, and those who collect St Paul’s and church music in general won’t go far wrong with this one’ (The Delian)

When to the temple Mary went
composer
6vv
author of text

Introduction
When to the temple Mary went, by Johannes Eccard (1533–1611), is one of a host of motets by foreign composers which were supplied with new words in the nineteenth century. In this case the text is by the Reverend J Troutbeck, who produced operatic translations and worked with both Stainer and Frederick Bridge on various Hymnals and Psalters. Troutbeck is best remembered for his lasting translations of Bach’s St Matthew Passion, St John Passion and Christmas Oratorio.

Eccard was a chorister in the Kapelle of the Weimar court from 1567 until it was disbanded in 1571. He then went to Munich to sing in the Bavarian Hofkapelle, where he also studied with Lassus. He served in Augsburg and in 1579 at the Hofkappelle of Margrave Georg Friedrich of Brandenburg-Ansbach, later becoming vice-Kapellmeister. He was appointed Kapellmeister in his own right on the accession of Joachim Friedrich as Elector in 1604.

Eccard’s music is frequently scored for more than four voices—here the setting is in six parts. His music thus sounds rich and sonorous, the inner parts having their own melodic and rhythmic logic. This type of piece is known as a ‘chorale-motet’ and such works are characteristic of the seventeenth-century Protestant composers.

from notes by William McVicker 2002

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