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Hyperion Records

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The Adoration of the Magi (tapestry made by William Morris & Co) by Sir Edward Burne-Jones (1833-1898)
Hermitage, St Petersburg, Russia / Bridgeman Art Library, London
Track(s) taken from CDH55443
Recording details: February 2001
St Paul's Cathedral, London, United Kingdom
Produced by Mark Brown
Engineered by Julian Millard
Release date: January 2002
Total duration: 4 minutes 15 seconds

'Luminous with a sense of goodness and well-being, brightest and best of choral records for the last many months … a distinguished record' (Gramophone)

‘Fascinatingly diverse anthology … a tonal brightness and rhythmic vitality that sparkle with festive brilliance’ (BBC Music Magazine)

‘This series is the richest treasure trove an Anglican musician or English choral buff could hope to find. Texts and notes are an Anglophile’s dream. Sound is stunningly rich and ringing’ (American Record Guide)

‘The eclectic and thoughtful repertoire mix make for compelling listening … warmly recommended’ (Classic FM Magazine)

‘The choral tone is pleasant, the soloists are well chosen, and the recorded balance keeps everything in perspective’ (Fanfare, USA)

'Hurrah for John Scott and St Paul's, who with this wonderful CD remind all how glorious the Epiphany repertoire is … every piece is approached as if it were the finest thing ever written, and joy is taken in rendering the simple beautiful … let us rejoice at the richness of this programme' (Organists' Review)

‘Seventy-two minutes of utter bliss. This is a disc of St Paul’s and the Hyperion team at their best. Organ and choir make an impact and what a magnificent sequence of music! … this is one of the finest discs I have heard in a long time and I have not stopped playing it’ (Cathedral Music)

‘There is much of merit here, and those who collect St Paul’s and church music in general won’t go far wrong with this one’ (The Delian)

Epiphany
First line:
Deep midwinter, the dark centre of the year
composer
1995; commissioned by the Dean and Chapter of Winchester Cathedral and first performed by the cathedral choir under David Hill at Bishop Michael Scott-Joynt's Enthronement on 6 January 1996
author of text
inspired by Henry Vaughan's Ode to Night

Other recordings available for download
Wells Cathedral Choir, Matthew Owens (conductor), Jonathan Vaughn (organ)
Introduction
Judith Bingham was born in Nottingham in 1952, entering the Royal Academy of Music in 1970 to study composition and singing. At the Academy her teachers were Alan Bush and Eric Fenby. She later undertook further vocal studies with Eric Vietheer and composition with Hans Keller, who exerted a strong influence upon her development. She won the BBC Young Composer Award in 1977. In the years following her graduation from the Royal Academy she pursued her singing career (notably with The BBC Singers between 1983 and 1996), as well as undertaking composition work. Much of her composition output began in the late 1980s. Her work includes Chartres (1988) for orchestra, Passagio—Bassoon Concerto (1998), The Shooting Star (a trumpet concerto, 1998–9), Prague (1991) and The Stars above, the Earth below (1991) for brass band. Since writing these pieces she has undertaken many important commissions and now has a substantial portfolio of works written for voices, including some for liturgical use. She is now one of the most sought-after contemporary British composers.

Epiphany was written in 1995 in response to a commission from the Dean and Chapter of Winchester Cathedral. The Cathedral Choir, conducted by David Hill, gave the first performance at the enthronement of the new bishop on 6 January 1996. The composer has kindly provided a note about her work for this recording:

Epiphany was written in 1995 for the enthronement of Bishop Michael in Winchester Cathedral. The brief of the commission was to write a short anthem that would link prayers with the actual enthronement, but still be about Epiphany with all its connotations of a journey and a new ministry. In my mind the shape of the piece formed as a gradual crescendo starting from the silent prayerful atmosphere of a full cathedral to the solemn grandeur of the bishop’s ascension. Searching around for a suitable text, I happened upon Ode to Night by George Herbert, and was powerfully struck by the line ‘There is in God, some say, / A deep but dazzling darkness’. I decided to write a poem myself that would integrate this line, while placing the journey of the Magi in an English winter landscape. The star in their hearts leads them, full of doubt and fear, to the deepest darkest heart of winter, where they encounter the dazzling atavistic force of God. The final rising organ roulade is the new life, buried yet growing in the hard earth.

from notes by William McVicker 2002


Other albums featuring this work
'Bingham: Choral Music' (CDA67909)
Bingham: Choral Music
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £10.50 Studio Master: FLAC 24-bit 96 kHz £12.00ALAC 24-bit 96 kHz £12.00 CDA67909  Studio Master FLAC & ALAC downloads available

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