Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Click cover art to view larger version
Track(s) taken from CDA67937

Praise our Lord, all ye Gentiles

composer
Psalmes, Songs and Sonnets fit for Voyces or Viols, 1611, xxix; AATTBB
author of text
Psalm 117; translated by ? Richard Verstegan in The Primer, or Office of the blessed Virgin Marie, 1599

The Cardinall's Musick, Andrew Carwood (conductor)
Studio Master FLAC & ALAC downloads available
CD-Quality:
Studio Master:
CD-Quality:
Studio Master:
Recording details: November 2011
Fitzalan Chapel, Arundel Castle, United Kingdom
Produced by Jonathan Freeman-Attwood
Engineered by Martin Haskell & Iestyn Rees
Release date: October 2012
Total duration: 2 minutes 46 seconds

Cover artwork: Portrait of Elizabeth I (The Armada Portrait) in the manner of George Gower (1540-1596).
Private Collection / Photo Philip Mould Ltd, London / Bridgeman Art Library, London
 
1
Praise our Lord, all ye Gentiles  [2'46]

Other recordings available for download

St Paul's Cathedral Choir, John Scott (conductor)

Reviews

'The singing is neat, clear and fluid, with beautifully elastic phrasing from the two tenors. The Nunc dimittis provides the sweetest moments in the Great Service itself' (BBC Music Magazine)

'The 10 voices of the Cardinall's Musick launch into the opening of Byrd's The Great Service—'O come, let us sing unto the Lord'—with a soaring joyfulness and clarity that sustains throughout this large-scale and elaborate work. Andrew Carwood and his group have won countless accolades for their series of Byrd's Latin sacred music. In this Anglican work, they achieve the same outstanding level of musicianship. The (female) sopranos have strength and purity at the top but an effective lightness, too, closer to the sound of boy trebles. The full ensemble tone is bold and energetic' (The Observer)

'This new recording is something special. Whether it's because of the sheer experience of having sung so much of Byrd's music as to have assimilated his musical language utterly, or whether it's simply the raw musicianship and cultivated intelligence of the performers, there's a clarity and intensity in each verse that is spine-tingling … here, as elsewhere, the latent energy of the words as made manifest in Byrd's setting is realized with the kind of skill and conviction that moves rather than simply amazes. Which is, I guess, the point of religious music' (International Record Review)
In the six-part anthem Praise our Lord, all ye Gentiles, from the 1611 collection of Psalms, Songs and Sonnets, the vigorous rhythmic opening is replaced by gentler melodic outlines at the words ‘because his mercy is confirmed upon us’. This, in turn, gives way to new figures, both for ‘and his truth remaineth for ever’ and for the lengthy and dramatic ‘Amen’. Little wonder that Squire remarked that Byrd ‘seems rapidly to have made his way’ after his arrival in London.

from notes by William McVicker 2002

Other albums featuring this work

Epiphany at St Paul's
CDH55443
Search

There are no matching records. Please try again.