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Track(s) taken from CDA66341/2

Nocturne in C minor, KKIVb/8

composer
No 21; 1837 (possibly 1827); published in 1938; not authorized for release by Chopin; primary composition is probably by Charlotte de Rothschild

Lívia Rév (piano)
Recording details: September 1988
Unknown, Unknown
Produced by Martin Compton
Engineered by Antony Howell
Release date: November 1989
Total duration: 2 minutes 50 seconds
 

Other recordings available for download

Angela Hewitt (piano)
Garrick Ohlsson (piano)
Sir Stephen Hough (piano)
Lívia Rév (piano)

Reviews

‘A very welcome reissue indeed. Eloquent, unfailingly beautiful in tone and blessedly free of mannerism, Livia Rev combines in almost perfect balance the simplicity of utterance required of all great Chopin playing’ (BBC Music Magazine)

‘A superb artist whose records should be better known’ (Fanfare, USA)

‘Miss Rev's caressing tone, her complete freedom from all artifice, and her muted coloration are beautifully caught by Hyperion’ (Hi-Fi News)
Although we have three manuscripts in Chopin’s hand of the Nocturne in C minor, the Swiss musicologist Jean-Jacques Eigeldinger has recently established that both this nocturne and the Waltz in A minor, Op posth., were composed primarily by Chopin’s pupil Charlotte de Rothschild in 1847. Chopin’s manuscripts of these works offer rare insight into how he taught composition—and why he did so: a pupil’s thorough formation at the keyboard required some grasp of musical composition. For at least some of his skilled amateur students, then, ‘pianist’ likely meant ‘pianist-composer’, just as it did for their illustrious teacher.

from notes by Jeffrey Kallberg © 2021

Si nous avons trois manuscrits de la main de Chopin pour le Nocturne en ut mineur, le musicologue suisse Jean-Jacques Eigeldinger a récemment établi que ce nocturne comme la Valse en la mineur, op. posthume, furent composés essentiellement par l’élève de Chopin Charlotte de Rothschild en 1847. Les manuscrits de Chopin pour ces œuvres nous donnent un rare aperçu de la façon dont il enseignait la composition—et de la raison pour laquelle il procédait ainsi: la formation pianistique approfondie d’un élève impliquait une certaine maîtrise de la composition musicale. Pour au moins quelques-uns de ses élèves amateurs de talent, à l’époque «pianiste» signifiait probablement «pianiste-compositeur», comme pour leur illustre professeur.

extrait des notes rédigées par Jeffrey Kallberg © 2021
Français: Marie-Stella Pâris

Obwohl es drei Manuskripte des Nocturnes c-Moll in Chopins Handschrift gibt, hat der Schweizer Musikwissenschaftler Jean-Jacques Eigeldinger kürzlich festgestellt, dass sowohl dieses Nocturne als auch der Walzer a-Moll, op. posth., hauptsächlich von Chopins Schülerin Charlotte de Rothschild im Jahr 1847 komponiert wurden. Chopins Manuskripte dieser Werke bieten einen seltenen Einblick, wie er Komposition lehrte, und warum er dies tat: die gründliche Ausbildung eines Klavierschülers erforderte ein gewisses Verständnis für Komposition. Zumindest für einige seiner begabten Laienschüler bedeutete „Pianist“ also wahrscheinlich „Pianist und Komponist“, genau wie für ihren berühmten Lehrer.

aus dem Begleittext von Jeffrey Kallberg © 2021
Deutsch: Viola Scheffel

Other albums featuring this work

Chopin: Nocturnes
Studio Master: CDA68351/22CDsStudio Master FLAC & ALAC downloads available
Chopin: Nocturnes & Impromptus
Studio Master: CDA67371/22CDsStudio Master FLAC & ALAC downloads available
Chopin: The Complete Works
CDS44351/6616CDs Boxed set (at a special price) — Download only
For Children
CDA66185Temporarily out of stock
Chopin: Nocturnes & Impromptus
This album is not yet available for downloadSACDA67371/22CDs Super-Audio CD — SOLD OUT!
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