Please wait...

Hyperion Records

Click cover art to view larger version
Near St Tropez (1892) by Hubert de la Rochefoucauld
Galerie L'Ergasterre, Paris / Bridgeman Art Library, London
Track(s) taken from CDA67341/2
Recording details: August 2001
Henry Wood Hall, London, United Kingdom
Produced by Ludger Böckenhoff
Engineered by Ludger Böckenhoff
Release date: April 2002
Total duration: 7 minutes 4 seconds

'Angela Hewitt plumbs Ravel's paradoxical qualities to perfection in this superb set. This magnificent survey … a treasure trove! Angela Hewitt joins Gieseking, Rogé, Thibaudet and Lortie among the most distinguished if entirely different Ravel cycles on record, and easily withstands comparison in such exalted company' (Gramophone)

'This newcomer from Hyperion is second to none and will now probably be a first choice for many collectors' (The Penguin Guide to Compact Discs)

'Hewitt’s is, unlike a number of other versions of Ravel’s œuvre, a highly worthwhile venture, full of stylish, intelligent playing' (International Record Review)

'Ravel trickles fluently through her fingers' (The Times)

'Hewitt reveals textural detail rarely heard in other performances … A thought-provoking set' (Classic FM Magazine)

'Delighful' (The Scotsman)

'unique qualities of tone, style, and conscientious craftsmanship' (Fanfare, USA)

'Hewitt’s control of tone colour is exemplary and the piano sound is warm and rounded … I recommend these discs to those wishing to acquaint themselves with some of Ravel’s lesser-known piano works as well as the more popular favourites' (Pianist)

'This is revelatory playing … Hewitt is never anything other than stimulating, probing, characterful and sensitive to both the individual nuance and broader perspective of each piece' (International Piano)

'she gets beneath the exotic surfaces of these pieces to expose their compelling musical structures' (Music Week)

'With these magnificent pieces, ranging from the well-known Gaspard de la Nuit to real curiosities, Hewitt proves her point: her colour range is vast, her touch compelling' (The Sunday Express)

'The restrained gestures, the delicate melodic ornaments, the harpsichord-like figurations, the subtle dance rhythms, the finely-balanced and beautifully engineered structures: Hewitt’s attention to such exquisite details is perfect' (MusicWeb International)

'Ravishingly beautiful and artistically satisfying … the whole is an offering not to be missed' (Musical Opinion)

'Hewitt’s finest work in this collection easily ranks with the catalog’s top contenders and deserves serious consideration' (ClassicsToday.com)

'ce qu’on observe d’abord en écoutant son intégrale Ravel, c’est son exactitude, sa précision, sa fidélité au texte' (Le Monde de la Musique, France)

'Revelatory playing that comprehensively challenges current perceived standards of Ravel keyboard interpretation to set alongside the greatest of the past masters … a landmark set that offers unbound opportunities to learn, discover and delight in' (Piano, Germany)

Pavane pour une infante défunte
composer
1899; first performed by Ricardo Viñes on 5 April 1902; orchestrated by Ravel in 1910

Other recordings available for download
Steven Osborne (piano)
Artur Pizarro (piano)
London Symphony Orchestra, Valery Gergiev (conductor)
Myra Hess (piano)
Introduction  EnglishFrançaisDeutsch
Ricardo Viñes premiered the Pavane pour une infante défunte on 5 April 1902, by which time Ravel was coming to general notice as a promising talent. The Pavane is probably the earliest of his pieces that ‘everybody knows’. But its success was always a little galling for Ravel, as he came to recognize its shortcomings and (again) its dependence on Chabrier. He was also irritated by pianists who played it too slowly, prompting him on one occasion to remark that it was the princess that was defunct, not the pavane. On the other hand, ‘one mustn’t turn it into a drama’. The answer perhaps lies in his suggestion that ‘at the same time as making the accompaniment secondary to the tune, you must insist on the latter’s slightly mechanical aspect’. Not for the last time, a Ravel piece turns out to be aesthetically more complex than it seems.

from notes by Roger Nichols © 2011


Other albums featuring this work
'Myra Hess – The complete solo and concerto studio recordings' (APR7504)
Myra Hess – The complete solo and concerto studio recordings
MP3 £16.49FLAC £16.49ALAC £16.49 APR7504  5CDs Download only  
'Ravel: Daphnis et Chloé, Boléro & Pavane' (LSO0693)
Ravel: Daphnis et Chloé, Boléro & Pavane
MP3 £6.50FLAC £6.50ALAC £6.50 Studio Master: FLAC 24-bit 96 kHz £9.75ALAC 24-bit 96 kHz £9.75 LSO0693  Download only   Studio Master FLAC & ALAC downloads available
'Ravel: The complete music for solo piano, Vol. 2' (CKD315)
Ravel: The complete music for solo piano, Vol. 2
MP3 £8.00FLAC £10.00ALAC £10.00 CKD315  Download only  
'Ravel: The Complete Solo Piano Music' (CDA67731/2)
Ravel: The Complete Solo Piano Music

Show: MP3 FLAC ALAC
   English   Français   Deutsch