Please wait...

Hyperion Records

Click cover art to view larger version
Ŕ l'ombres des bosquets chante un jeune počte by Jean-Louis-Ernest Meissonier (1815-1891)
Reproduced by permission of The Wallace Collection, London / Bridgeman Art Library, London
Track(s) taken from CDA66856
Recording details: January 1996
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Produced by Arthur Johnson
Engineered by Antony Howell & Julian Millard
Release date: January 1997
Total duration: 1 minutes 38 seconds

'This is the most resounding blow yet to be struck for the mélodies of Saint-Saëns … Le Roux is one of the most charismatic performers of our time … this is certainly one of the best things he has done so far. A double welcome for performers and rare repertory' (Gramophone)

'Musical jewels surface with delightful consistency in this 27-song recital. An absorbing and revelatory disc' (BBC Music Magazine)

'There's hardly a dud among these 30-or-so songs on this well filled, perfectly recorded disc, an ideal accompaniment to a hot summer evening' (The Daily Telegraph)

'Another immensely pleasant recital from Hyperion, both in content and performance. [François Le Roux] is establishing himself as the leading French baritone of the day' (Classic CD)

'François Le Roux est l'interprète prédestiné. Son intelligence des mots, son sens de la juste inflexion font ici merveille' (Diapason, France)

'Apoya magnificamente al baritono, firmando entre ambos un trabajo auténticamente digno de conocerse. Sonido exemplar' (CD Compact, Spain)

Guitares et mandolines
composer
1890
author of text

Other recordings available for download
Ann Murray (mezzo-soprano), Graham Johnson (piano)
Introduction
Guitares et mandolines is one of Saint-Saëns’ evocations of different musical instruments and is a song to his own text. It was written in 1890 and is one of the most effective of the many French songs which evoke Spain. It is true that the poem is not a masterpiece in itself, but it gives the composer ample opportunity to paint pictures. The repeated notes in the right hand of the accompaniment, an effect which suggests the plectrum at work, are the mark of a piano virtuoso who knows the tricks of the trade (the fingers have to alternate quickly on these repetitions). There is also a teasing use of hemiola, and when sharps and naturals are mentioned in the text (‘dièses, bécarres’) the composer pointedly writes an extra sharp sign above the word ‘dièses’, and takes care that all the melismatic notes of ‘bécarres’ are naturals.

from notes by Graham Johnson © 1997


Other albums featuring this work
'¡España!' (CDA66176)
¡España!
MP3 £4.50FLAC £4.50ALAC £4.50Buy by post £13.99 (ARCHIVE SERVICE) CDA66176  Archive Service   Download currently discounted

Show: MP3 FLAC ALAC
   English   Français   Deutsch