Please wait...

Hyperion Records

Click cover art to view larger version
Track(s) taken from CDA67356
Recording details: April 2002
Tewkesbury Abbey, Worcestershire, United Kingdom
Produced by Mark Brown
Engineered by Julian Millard
Release date: March 2003
Total duration: 10 minutes 55 seconds

'a worthy celebration of the British organ tradition … rich, clear recordings' (Gramophone)

Corde natus ex parentis 'Of the Father sole begotten' 'A Symphonic Poem', Op 27

While most composers found inspiration in post-Reformation hymns, Charles William Pearce (1858-1928) became fascinated by the legacy of plainsong. In the early nineteenth century, members of The Oxford Movement, a grouping associated with high churchmanship, had sought to reform Anglican church worship by reviving past traditions. Pearce saw the possibilities for organ literature, as in the two compositions included here: Creator of the Starry Height (Conditor alme siderum), one of Three Hymn-Studies on Ancient Sarum Melodies Op 25 (1884); and Corde natus ex parentis (Of the Father sole begotten), Op 27 (1885). The first of these is a gentle meditation, the second a wide-ranging fantasia which Pearce calls a ‘Symphonic Poem for Organ’. Describing the melody of the latter, he writes: ‘Around such a theme, florid contrapuntal devices entwine themselves as naturally and as gracefully as do the wreaths of holly and ivy around a Gothic pillar at Christmastide’. The classic image of the typical Victorian Christmas is embodied in this piece – ruddy faces, muffler and fur, picturesque village scenes, festive cheer, church steeple topped with snow and so on. It has very little to do with Gregorian chant, and everything to do with the Victorians’ re-interpretation of the past and their desire, in Nicholas Temperley’s words, ‘to restore through symbolism a sense of wonder and majesty in God’s presence’.

from notes by Graham Barber 2003

   English   Français   Deutsch