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Hyperion Records

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St Cecilia (detail) by John William Waterhouse (1849-1917)
Sotheby’s Picture Library
Track(s) taken from CDA67436
Recording details: May 2004
St Nikolai, Halmstad, Sweden
Produced by Paul Spicer
Engineered by Simon Eadon
Release date: February 2005
Total duration: 9 minutes 54 seconds

'Whether your dreams are of the nocturnal or day variety there is plenty to enjoy on this fastidiously engineered disc; Herrick's playing is strong on communication and conviction. Most refreshing' (Gramophone)

'as ever, an enterprisingly devised selection of music, excellently performed on a pristine instrument. And, by the way, the quality of the recording is very good, too' (International Record Review)

Prélude, Fugue et Variation, M30 Op 18
1860/2; the third of Six pièces

Introduction  EnglishFrançaisDeutsch
Like Widor, César Franck (1822–1890) was a Parisian organist, presiding from 1858 until his death at the Cavaillé-Coll organ at Ste-Clotilde. Prélude, Fugue et Variation, Op 18, the third of his Six Pièces (1860–62), is dedicated to Saint-Saëns. Coming as it does directly after Franck’s Grande Pièce Symphonique, Op 17, its title might suggest a contrasting work of neo-Baroque severity, but what could be more Romantic than the haunting oboe melody of the first movement? A typical Franckian theme, moving largely by step and emphasizing particular notes of the scale, it has two limbs, the first a flowing theme of five-bar phrases, the second a dogged affair ascending the scale in four-bar phrases (and taken up in quasi-canonic fashion by the pedals). A short bridge passage introduces the second movement, a sober fugue on a subject, vocal in character, marked cantando. Assisted by stretti, a muted climax is reached, and the music proceeds without a break to the Variation, in which the hautbois, taking the stage again, has the ‘flowing’ and ‘dogged’ themes of the first movement, but here set against rippling semiquavers.

from notes by Relf Clark © 2005

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