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Hyperion Records

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Track(s) taken from CDA67369
Recording details: September 2002
Henry Wood Hall, London, United Kingdom
Produced by Andrew Keener
Engineered by Simon Eadon
Release date: August 2003
Total duration: 15 minutes 51 seconds

'With beautifully balanced recorded sound, it's a CD for repeated listening' (Gramophone)

'The playing of the Florestan Trio is memorable for its lyrical tenderness, its luminous sonorities and its rhythmic buoyancy' (BBC Music Magazine)

'The second issue in the Florestan Trio's projected recordings of all Beethoven's music for piano trio is one of this lively and sensitive ensemble's best. The players do justice both to the sweetness and spaciousness and to the quirky humour of the great Archduke Trio, which receives a richly satisfying performance' (The Sunday Times)

Variations on 'Ich bin der Schneider Kakadu', Op 121a
arranged for piano trio in 1816; variations originally written circa 1794; after Wenzel Müller's Die Schwestern von Prag

Introduzione  [4'34]
Tema  [0'34]
Variation 1  [0'37]
Variation 2  [0'36]
Variation 3  [0'43]
Variation 4  [0'39]
Variation 5  [0'40]
Variation 6  [0'40]
Variation 7  [0'50]
Variation 8  [0'39]
Variation 9  [1'44]
Variation 10  [1'50]
Allegretto  [1'45]

Introduction  EnglishFrançaisDeutsch
In his early Viennese years Beethoven satisfied popular demand for variations on operatic hit tunes with a stream of works involving his own instrument. And though the evidence is not watertight, the variations on the song ‘Ich bin der Schneider Kakadu’ (‘I am Kakadu the tailor’) from Wenzel Müller’s 1794 comic Singspiel Die Schwestern von Prag (‘The sisters from Prague’), probably originated at this time. Two decades later, in 1816, Beethoven wrote to the Leipzig publisher Härtel offering ‘Variations with an introduction and supplement, for piano, violin and cello, on a well-known theme by Müller, one of my earlier compositions, though it is not among the reprehensible ones’. Wenzel’s opera was revived in Vienna in 1814. And this may well have prompted Beethoven to dust down and revise his youthful variations, taking account of the extended compass of the newest pianos and perhaps adding his ‘supplement’ (i.e. coda) plus the exaggeratedly sombre G minor introduction that gradually outlines the ‘Kakadu’ theme. When the naive, Papageno-ish tune emerges in full, in a blithe G major, it is with an absurd sense of anticlimax – the kind of comic deflation Dohnányi emulated a century later in his Variations on a Nursery Theme. The variations broadly follow the traditional pattern by adorning the melody with increasingly brilliant figuration, though No 5, with its spare contrapuntal textures, and No 7, a delicate imitative duo for violin and cello alone, deconstruct rather than merely decorate the theme. After the traditional Adagio variation in the minor key, No 9, full of chromatic pathos (shades here of the slow introduction), and a jolly 6/8 variation, Beethoven launches a long and capricious coda by turning Müller’s ditty into a mock-learned fugato.

from notes by Richard Wigmore © 2003

Other albums featuring this work
'Beethoven: The Complete Music for Piano Trio' (CDS44471/4)
Beethoven: The Complete Music for Piano Trio
MP3 £20.00FLAC £20.00ALAC £20.00Buy by post £22.00 CDS44471/4  4CDs Boxed set (at a special price)  
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