Please wait...

Hyperion Records

Click cover art to view larger version
Track(s) taken from CDA67450
Recording details: October 2003
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Produced by Martin Compton
Engineered by Tony Faulkner
Release date: April 2004
Total duration: 1 minutes 37 seconds

'The Parley of Instruments, Rachel Brown, director Peter Holman and the Hyperion recording team all deserve applause' (Gramophone)

'With the programme arranged by play rather than chronology, creating an alluring stylistic variety within its 100-or-so-year span, and excellent sound, music for Shakespeare doesn't come much better than this' (BBC Music Magazine)

'I'm sure that if it wasn't for the pioneering series of recordings named The English Orpheus we would find ourselves less the richer for the discoveries this series has brought to our notions of English musical heritage' (The Organ)

'Programmed with Peter Holman's usual ingenuity and originality' (Goldberg)

Dear pretty youth
composer
London, circa 1696
author of text
The Tempest, or Enchanted Island

Introduction
Shakespeare was the foundation of the Restoration theatrical repertory. His plays were initially revived along with the works of other Jacobean playwrights out of necessity, but a number of them remained popular even after a new Restoration repertory had developed. It is no accident that The Tempest was the most popular of all the plays in the Restoration period, for it is the one that benefits most from spectacular staging and the addition of lavish music. The Restoration version, an adaptation by William Davenant and John Dryden, was put on in 1667 and was revised by Thomas Shadwell in 1674 with many more opportunities for music. This version, with music by John Banister, Matthew Locke, Pelham Humfrey and others, remained in use until the early eighteenth century, when it was replaced by the music long attributed to Henry Purcell, now thought to be by Purcell’s pupil John Weldon. The only piece of genuine Purcell in the score is the playful song ‘Dear pretty youth’, apparently sung in Act IV, Scene iii of the 1674 version by Dorinda to her lover Hippolito, who has supposedly been killed by his rival Ferdinand; both Dorinda and Hippolito were extra characters added in the Restoration adaptation.

from notes by Peter Holman 2004

Show: MP3 FLAC ALAC
   English   Français   Deutsch