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His motet Let my prayer be set forth is written for double choir and was published by Dean & Sons in 1928. It is a setting of words from Psalm 141 and is unusual in that the two sides of the choir – cantoris and decani – are scored in four-part canon. That is to say that the second chorus imitates exactly what the first has sung at a distance of one bar – a compositional technique which is embraced to great effect. The music fades away to a single note – a unison E – just as it began.
from notes by William McVicker © 2005