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Track(s) taken from CDA66030

The Lord is my shepherd

composer
May 1886
author of text
Psalm 23

Worcester Cathedral Choir, Donald Hunt (conductor), Paul Trepte (organ)
Recording details: July 1981
Worcester Cathedral, United Kingdom
Produced by Simon Perry
Engineered by Tony Faulkner
Release date: May 1988
Total duration: 8 minutes 53 seconds

Cover artwork: Worcester Cathedral, from a watercolour by William Callow (1812-1908)
Reproduced by kind permission of The Worcester City Museum Service
 
1
The Lord is my shepherd  [8'53]

Other recordings available for download

St Paul's Cathedral Choir, John Scott (conductor), Andrew Lucas (organ)
Winchester Cathedral Choir, David Hill (conductor), Stephen Farr (organ)

Reviews

'A prestigious disc' (The Monthly Guide to Recorded Music)
In 1886 Stanford produced two further anthems: the immensely beautiful Blessed are the dead (also known in its revised version as I heard a voice from heaven), written for the memorial service of his colleague Henry Bradshaw in King’s College Chapel on 15 February 1886 and, more well known, a setting of Psalm 23 The Lord is my shepherd, highly thought of by Bairstow and described by Howells as ‘one of the supremely lovely anthems of all our history’. Completed in May 1886, The Lord is my shepherd is one of Stanford’s finest examples of musical prose. His technique of overlapping irregular phraseology, gleaned from Brahms, gives the overall musical fabric a seamless quality. This is impressively essayed in the pastoral sonata scheme of the first section and in the more contrapuntal finale (‘But thy loving kindness’) Stanford’s tonal thinking is equally imaginative. After firmly establishing F major in the much larger first part, the choral recitative provides both tonal and textural contrast with a shift to D minor (‘Thou shalt prepare a table’). A continuation of this tonal area, modally altered to D major, accompanies the beginning of the finale; but this is in fact only preparation for a return to F major, a move which both heightens the sense of tonal return but at the same time enhances the textual meaning (‘And I will dwell in the house of the Lord for ever’). Stanford’s coda, which elusively recalls the opening material is also deliciously romantic with its yearning appoggiaturas.

from notes by Jeremy Dibble 1997

Other albums featuring this work

Stanford: Sacred Choral Music
CDS44311/33CDs Boxed set (at a special price)
The English Anthem, Vol. 3
CDA66618Archive Service
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