Please wait...

Hyperion Records

Click cover art to view larger version
Frédéric Chopin in concert at the Hotel Lambert, Paris (1840) by Antar Teofil Kwiatowski (1809-1891)
Bibliothèque Polonaise, Paris / Archives Charmet / Bridgeman Art Library, London
Track(s) taken from CDS44351/66
Recording details: January 1995
Performing Arts Center, Purchase College, State University of New York, USA
Produced by Adam Abeshouse
Engineered by Adam Abeshouse
Release date: November 2008
Total duration: 3 minutes 2 seconds

'Hyperion's big deal … Ohlsson is a powerful and committed player, and is afforded very good sound by the engineers … this is almost certainly how these pieces were played in Chopin's time' (The Mail on Sunday)

'This is an oustanding achievement, which any genuine Chopin lover and student of Romantic music should own … a landmark in the recording of Chopin's music … Garrick Ohlsson and Hyperion deserve the greatest success in bringing this important undertaking to such a consistently impressive conclusion' (International Record Review)

'An attractively priced box set … Ohlsson is in a class of his own' (Pianist)

'The collaborative works receive particularly rewarding performances … Ohlsson arguably offers more consistent artistry than Biret, Ashkenazy, Magaloff, and Harasiewicz' (ClassicsToday.com)

'Garrick Ohlsson’s complete survey of everything Chopin wrote for piano (including chamber music, songs, and for piano and orchestra) will delight the completist and the Chopin connoisseur. Ohlsson (who won the Chopin International Piano Competition in 1970) gives us accounts of this wondrous repertoire in weighty and commanding style, aristocratic and impulsive (but not lacking light and shade or contemplative contrasts) and, at times, very sensitive and searching. These vivid recordings were made in the second half of the 1990s and have previously appeared on the Arabesque label. They now sit very well in Hyperion’s catalogue' (ClassicalSource.com)

Tarantelle in A flat major, Op 43
composer
1841; Nohant

Other recordings available for download
Nikolai Demidenko (piano)
Moriz Rosenthal (piano)
Alfred Cortot (piano)
Introduction  EnglishFrançaisDeutsch
Polonaises, mazurkas, waltzes, the krakowiak, the kujawiak: such are the dance types Chopin most frequently essayed. Bourrées, ecossaises, a tarantella, a bolero, are what he turned to for diversion. Conceived in the summer of 1841, the Tarantella in A flat major has the character of a brilliantly bravura, almost Lisztian, perpetuum mobile, ripe with harmonic pungency and chromatically frenetic unrest. Niecks could find little to admire; it was, he said, like ‘a transmutation of Rossini into Chopin, a Neapolitan scene painted with opaque colours, the south without its transparent sky, balmy air, and general brightness.’ Schumann believed otherwise: ‘This is in Chopin’s most daring manner; we see the madly whirling dancers before us, until our own senses seem to reel. We can scarcely term this lovely music, but we willingly forgive the master for the wildness of his imagination, the right side of which he may certainly be allowed to display sometimes.’

from notes by Ates Orga © 1992


Other albums featuring this work
'Chopin: Demidenko plays Chopin' (CDA66597)
Chopin: Demidenko plays Chopin
MP3 £4.00FLAC £4.00ALAC £4.00Buy by post £13.99 (ARCHIVE SERVICE) CDA66597  Archive Service   Download currently discounted
'Alfred Cortot – The Late Recordings, Vol. 4 – Schumann, Schubert, Chopin & Liszt' (APR5574)
Alfred Cortot – The Late Recordings, Vol. 4 – Schumann, Schubert, Chopin & Liszt
'Moriz Rosenthal – The complete recordings' (APR7503)
Moriz Rosenthal – The complete recordings

Show: MP3 FLAC ALAC
   English   Français   Deutsch