Please wait...

Hyperion Records

Click cover art to view larger version
Front illustration by Donya Claire James (b?)
Track(s) taken from CDA67767
Recording details: September 2008
Potton Hall, Dunwich, Suffolk, United Kingdom
Produced by Jeremy Hayes
Engineered by Tony Faulkner
Release date: September 2010
Total duration: 5 minutes 32 seconds

'Jonathan Plowright plays everything with calm, unforced assurance, nicely balancing Bach style and 1930s period manners, and making light of all the left-hand skips needed to suggest Bach's organ pedal parts. An immaculate recording and Calum MacDonald's detailed notes enhance the disc's appeal' (BBC Music Magazine)

'Every so often a CD comes along that I simply can't stop playing. Here's one such example … glorious interpretations by Jonathan Plowright' (The Observer)

'There are some gems here … this is an invaluable addition to Hyperion's Bach Piano Transcriptions series and Plowright has done us an enormous service in resurrecting these transcriptions and in rendering them so eloquently' (International Record Review)

O Mensch, bewein' dein' Sünde gross, BWV622
composer
circa 1713/7; Weimar; Orgelbüchlein
arranger
commissioned by Harriet Cohen and first published by Oxford University Press in A Bach Book for Harriet Cohen; first performed at the Queen's Hall on 17 October 1932

Other recordings available for download
Angela Hewitt (piano)
Introduction  EnglishFrançaisDeutsch
Like Arthur Bliss, Herbert Howells chose a chorale prelude from the Orgelbüchlein: O Mensch, bewein’ dein’ Sünde gross BWV622. Howells had been a passionate admirer of early music since his student days, and was no stranger to composing in an archaic style. (He would later produce an inspired blend of old and new in his keyboard suite Lambert’s Clavichord.) Unlike some of the other contributors Howells is lavish with dynamic, tempo and expression marks and phrasing. His very slow tempo—slowing further to an Adagiosissimo in the final bars—helps to sustain and clarify the intricate polyphonic web of Bach’s writing. Only towards the end, in the assai sostenuto ascent to the climax, does he do much to personalize the harmony.

from notes by Calum MacDonald © 2010


Other albums featuring this work
'Bach Arrangements' (CDA67309)
Bach Arrangements

Show: MP3 FLAC ALAC
   English   Français   Deutsch