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Hyperion Records

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Track(s) taken from CDA66755
Recording details: June 1994
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Produced by Paul Spicer
Engineered by Keith Warren
Release date: October 1994
Total duration: 14 minutes 47 seconds

'Deliciously played by this remarkable duo partnership who show virtuosity and delicacy in equal measure. Altogether delightful music and captivating playing' (The Penguin Guide to Compact Discs)

'Gabrilowitsch and Bauer have serious competition here. This is a splendid disc, chock full of charm and dash. Exceptionally fine—a must for all lovers of romantic ensemble pianism' (American Record Guide)

'Hyperion have again found the perfect acoustic for this most delightful and effective music. All in all, this is one of the classiest and most enjoyable two-piano discs I've ever had the pleasure of hearing' (Classic CD)

'Scintillating performances' (Fanfare, USA)

Suite for two pianos No 2 'Silhouettes', Op 23
composer

Le Savant  [2'16]
La Coquette  [2'31]
Polochinelle  [3'11]
Le Rêveur  [3'36]
La Danseuse  [3'13]

Introduction  EnglishFrançaisDeutsch
The Suite No 2, Op 23, written in 1892, is subtitled ‘Silhouettes’. It is in five movements, each representing a different character. The first, Le Savant (The Scholar), is a tongue-in-cheek pastiche of academic contrapuntal writing and is possibly a self-mocking portrait of the composer himself as Professor of Counterpoint at the Moscow Conservatory. La Coquette is one of Arensky’s most delightful waltzes, full of sly glances and thoroughly teasing, whilst Polichinelle (The Clown) is a truly virtuosic tour de force with both pianists negotiating trills in thirds and octaves alongside fast skipping pianissimo chords. Le Rêveur (The Dreamer) is a gentle romance movement which nevertheless contains a middle section of surprising harmonic boldness and which builds to an impressive climax before subsiding again into more gentle dreams. La Danseuse (The Dancer) is far from the elegant ballrooms of Tsarist Russia; this is a fiery Spanish dance and contains some of Arensky’s finest and most impressive two-piano writing.

from notes by Stephen Coombs © 1994

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