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Hyperion Records

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Track(s) taken from CDA66755
Recording details: June 1994
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Produced by Paul Spicer
Engineered by Keith Warren
Release date: October 1994
Total duration: 13 minutes 54 seconds

'Deliciously played by this remarkable duo partnership who show virtuosity and delicacy in equal measure. Altogether delightful music and captivating playing' (The Penguin Guide to Compact Discs)

'Gabrilowitsch and Bauer have serious competition here. This is a splendid disc, chock full of charm and dash. Exceptionally fine—a must for all lovers of romantic ensemble pianism' (American Record Guide)

'Hyperion have again found the perfect acoustic for this most delightful and effective music. All in all, this is one of the classiest and most enjoyable two-piano discs I've ever had the pleasure of hearing' (Classic CD)

'Scintillating performances' (Fanfare, USA)

Suite for two pianos No 1, Op 15
composer

Romance  [3'43]
Valse  [4'39]
Polonaise  [5'32]

Introduction  EnglishFrançaisDeutsch
Of the four Suites for two pianos, only the Valse from the First Suite is regularly played today. Yet there is a consistency of quality and freshness throughout all the Suites which in itself gives a fascinating summary of Arensky’s creative output. Suite No 1, Op 15, written in 1888, is characteristic of Arensky’s easy fluidity and craftsmanship. Both the Romance and the Valse have deceptively simple tunes, and yet Arensky succeeds in surprising and delighting the listener with his graceful arabesques and virtuosic embellishments which thoroughly reflect the glittering and elegant cultural background of Tsarist Russia. The last movement of this Suite is an evocation of the Polonaise which always opened Court Balls: not so much a dance here as a stately procession in which guests formed themselves into two lines, leaving an aisle down the middle of the ballroom through which the Emperor and his consort would promenade. As the cortège proceeded, officers and gentlemen would detach themselves one by one and, taking the hand of a lady, join the procession as it toured the room.

from notes by Stephen Coombs © 1994

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