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Track(s) taken from CDA66341/2

Nocturne in F sharp major, Op 15 No 2

composer
1832/3; dedicated to Ferdinand Hiller

Lívia Rév (piano)
Recording details: September 1988
Unknown, Unknown
Produced by Martin Compton
Engineered by Antony Howell
Release date: November 1989
Total duration: 3 minutes 15 seconds
 

Other recordings available for download

Angela Hewitt (piano)
Garrick Ohlsson (piano)
Sir Stephen Hough (piano)
Benjamin Grosvenor (piano)
Alfred Cortot (piano)
Ignacy Jan Paderewski (piano)
Ignacy Jan Paderewski (piano)
Ignacy Jan Paderewski (piano)
Alfred Cortot (piano)
Walter Gieseking (piano)
Arthur de Greef (piano)
Arthur de Greef (piano)
Myra Hess (piano)
Raoul Pugno (piano)
Aimée-Marie Roger-Miclos (piano)
Raoul Pugno (piano)

Reviews

‘A very welcome reissue indeed. Eloquent, unfailingly beautiful in tone and blessedly free of mannerism, Livia Rev combines in almost perfect balance the simplicity of utterance required of all great Chopin playing’ (BBC Music Magazine)

‘A superb artist whose records should be better known’ (Fanfare, USA)

‘Miss Rev's caressing tone, her complete freedom from all artifice, and her muted coloration are beautifully caught by Hyperion’ (Hi-Fi News)
The second Nocturne of the group, in F sharp major, begins as a delicate arabesque with the right hand floating over a steady bass. The middle section in this case is marked doppio movimento (twice the speed), and uses a right-hand figuration similar to that of his F sharp minor Prelude. At the end, the music shimmers in a haze of F sharp major.

from notes by Angela Hewitt © 2004

Le Nocturne en fa dièse majeur s’ouvre sur une délicate arabesque à la main droite, flottant au-dessus d’une basse constante. La section centrale, marquée ici doppio movimento (deux fois plus vite), présente une figuration à la main droite identique à celle du Prélude en fa dièse mineur. À la fin, la musique scintille dans une brume de fa dièse majeur.

extrait des notes rédigées par Angela Hewitt © 2004
Français: Hypérion

Das zweite Nocturne in diesem Zyklus steht in Fis-Dur und beginnt als liebliche Arabeske, wobei die rechte Hand über einem regelmäßigen Bass umherschweift. Hier ist der Mittelteil mit Doppio movimento (doppeltes Tempo) markiert und die Figurationen der rechten Hand erinnern an diejenigen des fis-Moll Préludes. Gegen Ende schimmert die Musik in einem Fis-Dur-Nebelschleier.

aus dem Begleittext von Angela Hewitt © 2004
Deutsch: Viola Scheffel

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