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Track(s) taken from CDA66730

The fatal hour comes on apace, Z421

composer
Orpheus Britannicus II, 1702
author of text

Susan Gritton (soprano), The King's Consort
Recording details: March 1994
Orford Church, Suffolk, United Kingdom
Produced by Ben Turner
Engineered by Philip Hobbs
Release date: September 1994
Total duration: 3 minutes 47 seconds
 
1

Other recordings available for download

James Bowman (countertenor), The King's Consort, Robert King (conductor)

Reviews

'Those who need all of Purcell's songs at their fingertips should invest in Hyperion's three-disk survey of secular songs, with outstanding performances by Barbara Bonney, Rogers Covey-Crump and James Bowman' (The New York Times)
The fine setting is probably a late composition of Purcell’s and first appeared in Playford’s second book of Orpheus Britannicus in 1702. The style of the first section is Italianately florid, and the harmony especially rich in colouring the dark sentiments of the anonymous author’s text. Winding melismas abound, emphasizing words such as ‘fatal’, ‘die’, ‘certain misery’, ‘pangs’ and ‘wracks’; the plangent harmony underlying ‘my heart will break’ brings a marvellous sense of desolation to the text. The lilting triple-time arioso ‘Since I for you so much endure’ is ravishing, relishing its melancholy sentiments in gloriously melodic phrases.

from notes by Robert King © 2003

Dans The fatal hour comes on apace, en deux mouvements, Purcell répond au sombre texte par l’une de ses plus belles musiques, toute en illustration imagée et en inventivité mélodico-harmonique.

extrait des notes rédigées par Robert King © 1989
Français: Hypérion

Other albums featuring this work

Purcell: Mr Henry Purcell's Most Admirable Composures
CDH55303
Purcell: The complete secular solo songs
CDS44161/33CDs Boxed set (at a special price)
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