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Track(s) taken from CDA66720

High on a throne of glitt'ring ore, Z465

composer
1689
author of text

Barbara Bonney (soprano), Michael George (bass), The King's Consort
Recording details: March 1994
Orford Church, Suffolk, United Kingdom
Produced by Ben Turner
Engineered by Philip Hobbs
Release date: May 1994
Total duration: 5 minutes 15 seconds
 
1

Reviews

'A treasury of good performances. It could hardly be otherwise with this composer and this roster of singers' (Fanfare, USA)
Thomas D’Urfey’s ‘Ode on the Queen’ was published in his New Poems of 1690 but was probably set by Purcell the previous year, perhaps as part of the Queen’s birthday celebrations on 30 April. The music first appears in the late seventeenth-century Egerton manuscript in the British Museum (MS 2960) but was not published until 1706 when it appeared in the second edition of Orpheus Britannicus. Purcell set D’Urfey’s six verses of royal flattery in cantata style, separating three sections of arioso with Italianate passages of semi-recitative. The opening is suitably celebratory, rising arpeggionically in trumpet-like fashion, and followed by two gracefully contrasting melismas on ‘Gloriana’ and elegantly dotted rhythms in voice and continuo that picture Gloriana’s ‘smiling brow’. The lilting triple-time aria ‘Glory is but a flatt’ring dream’ is preceded and followed by sections of florid recitative. The ‘Vast pyramids of state’ (whose texts colour the Queen’s majesty with an Egyptian splendour) are expansively set by Purcell. The final aria is a duet between soprano and bass which gives the bass singer an unusually busy line, completely independent from the continuo.

from notes by Robert King 2003

Other albums featuring this work

Purcell: The complete secular solo songs
CDS44161/33CDs Boxed set (at a special price)
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