Please wait...

Hyperion Records

Click cover art to view larger version
Track(s) taken from CDA67191/2
Recording details: January 1997
Beethovensaal, Hannover, Germany
Produced by Ludger Böckenhoff
Engineered by Ludger Böckenhoff
Release date: April 1997
Total duration: 18 minutes 52 seconds

Partita No 3 in A minor, BWV827
composer
1728

Fantasia  [2'04]
Allemande  [2'57]
Corrente  [3'09]
Sarabande  [3'56]
Burlesca  [2'17]
Scherzo  [1'10]
Gigue  [3'19]

Introduction  EnglishFrançaisDeutsch
The Partita No 3 in A minor is unjustifiably rarely played. Perhaps its opening Fantasia is not considered ‘impressive’ enough. Certainly compared to the opening movements of the other five, it is very unassuming (it is in fact a lovely, easy-flowing two-part invention). It might sound simple, but unexpected turns in the two voices make it tricky to memorize. An elegant Allemande is followed by a vigorous Corrente with perky dotted rhythms and octave leaps. The Sarabande provides a moment of tender repose in an otherwise mostly restless suite. It is a trio of unusual beauty, and I find it easy to imagine two woodwind instruments playing over a continuo bass. In the earlier version of this Partita the Burlesca was entitled Menuet (the music is the same) and there was no Scherzo. These two movements, which should follow in rapid succession, considerably boost the overall energy of the piece and lead straight into the three-part Gigue fugue. Was Bach making fun of the rules of counterpoint when he wrote the descending scale in octaves in the Burlesca? I think it most likely.

from notes by Angela Hewitt © 1997

Other albums featuring this work
'Bach: Angela Hewitt plays Bach' (CDS44421/35)
Bach: Angela Hewitt plays Bach
MP3 £45.00FLAC £45.00ALAC £45.00Buy by post £50.00 CDS44421/35  15CDs Boxed set (at a special price)  
Show: MP3 FLAC ALAC
   English   Français   Deutsch