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Track(s) taken from CDA30024

Salvator mundi II

composer
5vv ATTBarB; Cantiones, quae ab argumento sacrae vocantur, 1575
author of text
Antiphon for Matins on the Feast of the Exaltation of the Cross

Winchester Cathedral Choir, David Hill (conductor)
Recording details: July 1989
Winchester Cathedral, United Kingdom
Produced by Mark Brown
Engineered by Antony Howell
Release date: February 1990
Total duration: 3 minutes 22 seconds

Cover artwork: The Nativity (detail) by Gérard David (active 1484-1523)
 
1
Salvator mundi II  [3'22]

Other recordings available for download

The Tallis Scholars, Peter Phillips (conductor)
The Cardinall's Musick, Andrew Carwood (conductor) January 2015 Release
Chapelle du Roi, Alistair Dixon (conductor)

Reviews

'Never before has Spem in alium, Tallis's great 40-part motet, so closely resembled The Last Judgement as it does in this vast and awesome performance' (Gramophone)
Salvator mundi, from the Cantiones sacrae of 1575, uses a canon at the lower octave between the superius and tenor. This is the second of two settings of this text by Tallis.

from notes by Andrew Carwood © 2015

Salvator mundi utilise un canon simple, à l’octave inférieure, entre le superius et le tenor. C’est ici la seconde fois que Tallis met ce texte en musique.

extrait des notes rédigées par Andrew Carwood © 2015
Français: Hypérion

In Salvator mundi wird ein Kanon verwendet, nämlich in der Unteroktave und zwischen der Superius- und der Tenor-Stimme. Es ist dies die zweite von zwei Vertonungen dieses Texts von Tallis.

aus dem Begleittext von Andrew Carwood © 2014
Deutsch: Viola Scheffel

Other albums featuring this work

Tallis: Ave, rosa sine spinis & other sacred music
CDA680765 January 2015 Release
Tallis: Spem in alium
CDGIM006
Tallis: The Tallis Scholars sing Thomas Tallis
CDGIM2032CDs for the price of 1
Tallis: The Complete Works, Vol. 7
SIGCD029Download only
Sacred Music in the Renaissance, Vol. 1
GIMBX301Boxed set (at a special price) — Download only
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